The Crane Pavilion
had given her some years ago. In time it had become worn. This looked hardly worn and had been folded most carefully on top of the other clothes. He laid it aside and unpacked the trunk. It was filled with sumptuous gowns and undergowns, with shimmering trouser skirts, and embroidered slippers, with exquisitely painted fans and embroidered sashes. All of it seemed new, or nearly so, and each piece was deeply creased in the folds as if the clothes had rested in the trunk for a long time. He replaced everything, not as neatly as he wished, then opened the second trunk. This one held very different clothes. Only two gowns were silk, and they were badly worn. The rest of the clothes were as ordinary as what a shopkeeper’s wife might wear. And there were not many of them: two gowns for summer and two quilted ones for winter, plus some ordinary ramie undergowns and a few much mended white socks. The final garment was a white nun’s robe and shawl, the kind worn by women on pilgrimages. On top of these clothes, lay a small silk bag containing a few coins, hardly enough to buy food for a month.
    The very bottom of the trunk was taken up by two books of scrolls and some writing paper. Akitada unrolled the books and found they were tales from Genji , the famous novel about the imperial prince with the many love affairs and his one true love for his Lady Murasaki. Lady Ogata, or someone else, had annotated the novel here and there. The handwriting was elegant. Replacing the contents of the second trunk, Akitada sighed.
    She had once led an elegant life, perhaps at court or else as wife or daughter of a powerful nobleman. The expensive clothing proved this much. Her education had made her a woman with refined tastes in reading. But something had happened, and she had found refuge here, no longer protected by wealth, but so poor that she wore ordinary clothes and mended her socks. What had brought her to this?
    Tora called from a dark corner under the far eaves. “Come look at this.”
    Akitada joined him and saw a rough wooden board that held a plain brazier with some remnants of ashes, an iron pot, two bowls, a basket with half a turnip and a bundle of wilted greens, a small sack of rice, and another of beans. On a shriveled leaf rested two dried-out slices of yokan , a sweet made from bean paste, honey, and chestnuts. “Surely she didn’t cook her own meals,” he said, shocked by the poor fare and equipment.
    Tora was unmoved. “Oh, it’s easy enough to boil a bit of rice gruel and add some radish and greens. Quite tasty, I’d say.”
    “Hmm. Perhaps. But for a wellborn lady this spells abject poverty. If the good abbot was a truly charitable man, he would not have let her live like this. Let’s go find this caretaker. He should know more about the owner, the people he has taken in, and their stories.

6

Murder in a Bathhouse
    After hurrying to finish with the Sugawara accounts, Saburo left the main house and went to the kitchen. The cook, a new member of the household, hired by Lady Sugawara while they had been in Kyushu, was a round, short country woman who was missing some of her front teeth. Unlike her predecessor, she was cheerful and did not mind work.
    Saburo had asked her what had happened to her teeth. It appeared that her husband had knocked them out one night when he had come home drunk and she made the mistake of telling him he shouldn’t have spent their last coppers on wine.
    Saburo had pitied her, but she just laughed. “It was a good thing, Saburo,” she explained. “It made me leave the bastard before he got me with child. I’m done with men now. No offense.”
    Ever since, Saburo had treated her with the greatest respect.
    Today he found her starting the fire under the rice cooker. “Do you need anything from the market, Masumi?” he asked.
    “No, thanks. I’ve already been. Went early.” She straightened up and gave him a smile. “Go see your girl. Nobody’ll miss you. Not much happening

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