youââ
âTell us where the money came
from.â
âI
donât know, I swearââ
âNo need to be swearing things all
the time.â
His dark suit was covered in dust.
Wiping his face with his dirty hands, Chabot left grey marks on his cheeks.
âMy fatherâs a sick man. He
has heart trouble. He had a bad turn last year, and the doctor told him he must
avoid distressing himselfââ
He was speaking in a dull voice. He had
no strength left.
âWell, you shouldnât have
got into trouble, then, kid. And now, it would be better just to tell us everything.
Who hit the man? You? Delfosse? Thatâs another boy on the way to perdition.
And if thereâs anyone we ought to be bringing in, itâs probably
him.â
A new policeman entered the room,
greeted the others cheerfully, and sat down at a table, where he picked up a
file.
âI didnât kill anyone! I
didnât even knowââ
âLook, Iâm prepared to
believe you didnât actually
kill
him.â
As if speaking to a child, the chief
inspector was assuming a more paternal air.
âBut you certainly know something.
That money didnât jump into your pocket. Yesterday you didnât have any,
and today you do. Give him a chair, someone.â
Because Chabot was swaying on his feet.
His legs were failing to hold him up. He sat down on a straw-bottomed chair and put
his head in his hands.
âTake your time, no need to rush
at it. Tell yourself this is your best chance of getting out of this mess. Anyway,
youâre under seventeen, so youâll go before the juvenile
court. And the worst you could get is a young
offendersâ institution.â
An idea struck Chabot, and he looked
around a little less anxiously. He stared at his inquisitors in turn. None of them
resembled the man with broad shoulders.
Had he been mistaken about the stranger?
Was he really a policeman? Or could it even be that he was the murderer? Heâd
been at the Gai-Moulin the previous evening. He had still been there when he and
René had left the main room.
And if he had followed them, could that
be because he was trying to have them arrested in his place?
âI think I understand,â he
cried, panting with eagerness. âYes, I think I do know who the murderer was. A
big man, very tall, clean-shaven.â
The chief inspector shrugged his
shoulders. But Chabot didnât give up.
âHe came into the Gai-Moulin just
after the Turk. He was alone. And I saw him again today, he followed me. He went to
the greengrocerâs and asked her about me.â
âWhatâs he talking
about?â
Inspector Perronet muttered:
âNot sure. But yes, last night at
the Gai-Moulin, there was a customer that nobody seemed to know.â
âAnd when did he leave?â
âSame time as the
dancer.â
Delvigne looked hard at Chabot, whose
hopes were rising, then took no more notice of him. He spoke to his colleagues.
âTell me, in what order exactly
did people leave the club?â
âThe two
boys left first. Well, they didnât really leave, because weâve
established that they hid on the cellar steps. Then the gigolo and the musicians.
The place was closing. The man in question, the big fellow, went out with the girl
Adèle. She works as a dancer.â
âSo just the boss, Graphopoulos
and the two waiters were left.â
âAh no, one of the waiters, Joseph
his name is, left with the musicians.â
âSo, the boss, one waiter, the
Greekââ
âAnd the two boys on the
stairs.â
âAnd what does the owner
say?â
âHe says his rich customer left
and that he and Victor, the other waiter, turned off the lights and locked
up.â
âAnd nobody saw this other man
Chabot is talking about, after