importance, and Northstar, whose confusion he had calmed. He felt a strange emptiness as
he stood above the rebel watchfiresthe barbarian blazes interspersed amid the muted,
efficient glow from the Plainsman camps like diffracted light on the face of a polished
gemstone. They would follow him, bandit and Plainsman both. But where would he lead, if
the sands told him nothing?
*****
Throughout her childhood, Larken had scavenged at the edge of the camps, companion to the
dogs and birds of the Que-Nara hunters, able to imitate any sound she heard, outcast
because of her freakish coloration and her constant vocal disturbances. Again and again
the Namers awoke to the sounds of dogs outside the tent, the dry hiss of the spring- jaw
and the underground rumblings of the spirit naga. Arming themselves hastily and blearily
with warding spells and the hook-bladed kala, they would emerge from the tents . . .
And find the little girl, singing all of these sounds uncannily into the night air, her
matted, tangled hair an eerie white in the glow of the campfires. Sending her away seemed
the best thing to do, so that she could be among her own kind. As her unusual looks marked
her as threateningly gifted, normal life in the tribe was an impossibility. Her parents
could hardly contain their relief at her departure. It was, of course, for her own good.
Her gifts blossomed in a foreign country. She had come to Silvanesti natively superior to
most of her instructors, intent and tireless at her songcraft. She rose through the great
Bardic College of Silvanost too fast for everyone, until she was above them all. Larken
readily learned the first eight bardic modes, the traditional arrangements of note and
rhythm that carried the bardic songs. She studied diligently and alone, as was her way,
far from the flarings of temper and temperament displayed by her fellow students. As the
bardic initiates, the high Silvanesti and the noble Solamnics, the Istarians and the
western elves from Qualinesti, bickered and plotted in the tall towers of Silvanost, the
girl sat by the waters of the Thon-Thalas, her knobby, callused feet submerged in the dark
current, practicing the songs in her harsh, flexible soprano. They had laughed at her, elf
and highborn human alike. Called her “churl” and “guttersnipe.” She ignored them serenely,
mimicking the sound of floodwaters in the quarters of discomfited masters, the chitter of
black squirrels in the vaults of the tower, which sent apprentice and novice alike up
ladders with brooms. All the while, despite her echoes and pranks, Larken's thoughts
remained serious, intent on the intricate bardic music.
By her second winter she had mastered all eight of the modes, mastered the drum and the
nillean pipes, and most of all developed and strengthened a soprano voice that, though
never melodious, never beautiful, left her teachers breathless, admiring its power and
range. Admiring, and fiercely resentful.
In the groves along the Thon-Thalas, where elf and human still mingled in green and quiet,
the sub- ject of her voice produced a jarring note of controversy. No student, the masters
maintained from their green solitudes, especially no gritty slip of a girl from the
plains, had ever learned the modes in only six seasons. There was foul play, no doubt some
hidden magic. It was not right.
Yet Larken learned all the modes, swiftly and readily and gracefully. Soon she tired of
the tradi- tional modes and began on the veiled ones, the intricate magical music that
dwelt in the gap between audible notes. She learned the first fourthe Kijon-ian for
happiness, the Branchalan for growth, the Matherian for serenity, and then, alarmingly,
the Solinian mode of visions and changes. At a recital, when her mighty voice changed
table water into snow, her teachers took the threat in hand.
In a ceremony usually saved