limp and was glad for the help. One morning the photographer gave Mudgett a broken block of wood and asked him to take it to the town wagon maker for a replacement. When Mudgett returned with the new block, he found the photographer sitting beside his door, partly clothed. Without preamble, the photographer removed one of his legs.
Mudgett was stunned. He had never seen an artificial limb before and watched keenly as the photographer inserted the new block into a portion of the leg. “Had he next proceeded to remove his head in the same mysterious way I should not have been further surprised,” Mudgett wrote.
Something about Mudgett’s expression caught the photographer’s eye. Still on one leg, he moved to his camera and prepared to take Mudgett’s picture. Just before he opened the shutter, he held up his false leg and waved it at the boy. Several days later he gave Mudgett the finished photograph.
“I kept it for many years,” Mudgett wrote, “and the thin terror-stricken face of that bare-footed, home-spun clad boy I can yet see.”
At the time Mudgett described this encounter in his memoir, he was sitting in a prison cell hoping to engineer a swell of public sympathy. While it is charming to imagine the scene, the fact is the cameras that existed during Mudgett’s boyhood made candid moments almost impossible to capture, especially when the subject was a child. If the photographer saw anything in Mudgett’s eyes, it was a pale blue emptiness that he knew, to his sorrow, no existing film could ever record.
At sixteen Mudgett graduated school and, despite his age, took a job as a teacher, first in Gilmanton and then in Alton, New Hampshire, where he met a young woman named Clara A. Lovering. She had never encountered anyone quite like Mudgett. He was young but poised and had a knack for making her feel good even when she was inclined to feel otherwise. He spoke so well and with such warmth, always touching her in small affectionate ways, even in public. His great flaw was his persistent demand that she allow him to make love to her, not as a lover in formal courtship but in that way that was supposed to come only after marriage. She held him off but could not deny that Mudgett aroused within her an intensity of desire that colored her dreams. Mudgett was eighteen when he asked her to elope. She agreed. They married on July 4, 1878, before a justice of the peace.
At first there was passion far beyond what the dour gossip of older women had led Clara to expect, but their relationship chilled rapidly. Mudgett left the house for long periods. Soon he was gone for days at a time. Finally he was just gone. In the wedding registry of Alton, New Hampshire, they remained married, their contract a legal if desiccated thing.
At nineteen Mudgett went to college. Initially he set his sights on Dartmouth but changed his mind and instead went directly into medical school. He enrolled first in the medicine program at the University of Vermont in Burlington but found the school too small and after only one year moved to the University of Michigan in Ann Arbor, one of the West’s leading scientific medical schools, noted for its emphasis on the controversial art of dissection. He enrolled on September 21, 1882. During the summer of his junior year he committed what he called, in his memoir, “the first really dishonest act of my life.” He took a job as a traveler for a book publisher, assigned to sell a single book throughout northwestern Illinois. Instead of turning in the proceeds, he kept them. At the end of the summer he returned to Michigan. “I could hardly count my Western trip a failure,” he wrote, “for I had seen Chicago.”
He graduated in June 1884 with a lackluster record and set out to find “some favorable location” in which to launch a practice. To do so he took another job as a traveler, this time with a nursery company based in Portland, Maine. His route took him through towns he might
Aj Harmon, Christopher Harmon