âSomething about the number I just dialed is not correct or canât be connected.â
âMore than likely the man is calling from a cell phone, his number blocked.â
Graces reaches beyond me with the phone, her arm brushing up against my shoulder, hangs it up in its cradle.
The room fills with a hard, icy silence. After a beat, Grace breaks it.
âDoes anyone know weâre here, Nick?â she asks.
I shake my head.
âFar as I know,â I answer, âonly Uncle Sam.â
âDo they often rent this apartment out to other wounded soldiers?â
Wounded soldier. Iâve never thought of myself as a wounded soldier. A casualty of war. But I guess thatâs precisely what I am. A casualty.
âI have no way of knowing.â I go for the phone. âBut I can make a call or twoââ
Grace grabs hold of my arm just before Iâm able to grab hold of the phone.
âLetâs just go,â she insists. âIâm sure thereâs a logical explanation for whoeverâs called and lets us know that he can see somethingâ¦whatever thatâs supposed to mean.â
âI still say itâs some kind of bad joke,â I add, lowering my right hand.
âOr bad timing,â Grace says. She heads for the open door. âYou coming, Nick?â
âYes,â I say, trying to picture in my head an old man standing somewhere in the world speaking the words, âI. See.â into a cell phone. I picture a bald, craggy-faced old man. Perhaps the man who used to own the rare bookshop.
âClose the door behind you,â Grace insists as she begins to descend the steps down to the first floor.
I do it. I close the door behind me, reach out for the railing, and begin to make my way down the staircase.
âBe careful,â Grace reminds me after a beat.
âI will,â I say, carefully feeling my way down each step with the bottom of my feet. âI survived Afghanistan. Iâm not about to die in Venice.â
Chapter 12
I CAME TO VENICE to live again.
I came to Venice to heal.
I came to Venice to regain my eyesight.
I came to Venice to learn to love Grace all over again and to forget about the mistakes of the past.
I came to Venice to forget about a village I bombed.
Iâm not sure Iâve succeeded at anything yet. Iâm not sure I will succeed. Iâm not sure of anything other than the next footstep I will take and the one after that and the one after that. Other than an old man who keeps calling and telling me that he sees something at a time when I most definitely do not see a thing.
Or do I?
Walking arm in arm with Grace through the narrow alleys and cobbled corridors, I once more see the moment when we first met. It was still long before my second war and I was working on building my writing career. Iâd published a couple of novels, one of which became a bestseller. That one book resulted in a few invitations to speak at some writing and book conferences all across the states. When you spend as much time as I once did all alone inside an eight-by-ten room writing for a living, you learn to take advantage of these conference invitations, no matter how humble the event.
At one such conference in New York City, I find myself giving a lecture on âthe writing lifeâ to a group of young, would-be authors. Itâs my job to tell them what itâs really like to write books for a living. The large room is filled mostly with young people learning how to write. Young people buried in jobs they canât stand, student loans they canât pay off, and a quickly developed conviction that the nine-to-five life of sleep/video games/bed is the sure path to suicide. Theyâre also convinced the one unfinished opus they have going on their laptop is the next great American novel. I know the feeling. I was there once myself. Two books ago. Two wars ago. One ex-wife, two grown sons, and many, many failures
Ahmet Zappa, Shana Muldoon Zappa & Ahmet Zappa