their names. So Iâm yelling, âPolice! Itâs OK! Come out, youâre safe!â or something, but I donât even know if itâs true.â He took a long drag, remembering.
âAnd then I hear this cryingâthis sort of wailingâ so I follow it, not knowing whatâs waiting for me. And I go into the nursery, and I see that little girl in her cot, screaming blue murder, and honestly, Iâve never been so glad to see a kid bawling her eyes out in all my life.â
Raco blew a plume of smoke into the air.
ââCause she was fine, â he said. âI couldnât believe it. She was scared, obviously, but not hurt that I could see. And I remember thinking at that moment that it might all still be OK. Yes, it was sad about the mum, tragic. But thank God, at least the kids were OK. But then I look across the hall, and a doorâs ajar.â
He carefully ground his cigarette butt into the dirt, not looking at Falk. Falk felt a cold dread seep through him, knowing what was to come.
âAnd I can see itâs another kidâs room. All blue paint and car posters, you know? Boyâs room. And thereâs no sound coming from that one. So I go across the hall and push open the door, and then it definitely wasnât OK at all.â He paused. âThat room was like a scene from hell. That room was the worst thing I have ever seen.â
They sat in silence until Raco cleared his throat.
âCome on,â he said, pulling himself to his feet, shaking his arms as if shedding the memory. Falk stood and followed him toward the front of the house.
âThe response teams arrived from Clyde shortly after that,â Raco went on as they walked. âPolice, paramedics. It was nearly half past six by the time they got there. Weâd searched the rest of the house, and thereâs no one else there, thank Christ, so everyone was desperately trying to phone Luke Hadler. At first people are worriedâyou know, how are we supposed to break this to him? But then thereâs still no answer and his carâs not there and he hasnât come home, and all of a sudden you could feel the mood start to shift.â
âWhat was Luke supposed to have been doing, then?â
âA couple of the search-and-rescue volunteers, mates of his, knew heâd been helping a friend cull rabbits on his property that afternoon. A guy called Jamie Sullivan. Someone rang, and Sullivan confirmed it but said Luke had left his farm a couple of hours earlier by that point.â
Theyâd reached the front door, and Raco pulled out a set of keys.
âWhen there was still no sign of Luke and no answer on his phone, we called some more of the search-and-rescue team in. Paired them up with officers, sent them out looking. It was a terrible couple of hours. We had unarmed searchers tramping through fields and bushland, not sure what they would find. Luke dead? Alive? No idea what kind of state heâd be in. We were all panicking weâd find him holed up somewhere with a gun and a death wish. In the end one of the search guys stumbled across his truck more by luck than anything. Parked up in some crappy clearing about three kilometers away. There was no need to worry after all. Luke was dead in the back, missing most of his face. His own gun, licensed, registered, completely legit, still in his hand.â
Raco unlocked the farmhouse door and pushed it open.
âSo it seemed like that was that. Pretty much done and dusted. Thisââhe stepped aside so Falk could see right down the long hallwayââis where it starts to get strange.â
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The entrance hall was muggy and stank of bleach. A side table piled with household clutter of bills and pens sat askew against a far wall, shoved from its original position. The tiled floor was ominously clean. The entire hallway had been scrubbed down to the original grout.
âThe industrial
Tera Lynn Childs, Tracy Deebs