private.
I swaggered down the hall in a perverse swell of excitement. I enjoyed the controversy of closed doors. It usually meant someone was in trouble or someone was leaving. Either way, it signaled that a position was opening up, leading to a mad scramble as every editor tried to use the opening to leap to a higher spot in the food chain. Closed doors had served me well in the past. Years ago as an intern, it meant a move to assistant editor and a few promotions to work on the Sunday Magazine, then Wine and Dining. Then, when Robert Feinberg moved from obits to health editor (a backwards leap, I know, but where does one go from the Death Squad?) Iâd wedged one Manolo into Martyâs door and gotten a toehold on Robertâs former spot. Yup, closed doors were usually a good omen for me.
Spotting Ed Horn over by the fish tank, I stopped in my tracks, my long coat lapping at my ankles. With his bow tie and polite demeanor, Ed Horn was a city desk writer who was rumored to have joined the Herald when the newsroom was a sea of clacking typewriters. With tenure like that you donât worry about getting fired, and I trusted Ed since the day he saved my skin and stopped me from plotting the demise of my arch rival, Genevieve. âDonât waste your time and energy,â heâd told me. âA bad reporter will sink himself. You donât have to puncture the raft.â Probably good advice at the time, though the evil Genevieve was still afloat and drifting into my side of the pond.
âGood morning, Piggy,â he said as he tapped fish flakes into the tank.
In response, Piggy wriggled up to the waterâs surface, her golden-skirted fins whispering around her.
âGood morning, Jane,â he said just as brightly, though he didnât turn away from the tank.
âGood morning and good grief,â I said, lowering my voice. âWhatâs up?â
âIt appears that Ms. Grodin is fed up with the feeding frenzy of being a food editor.â
I cracked a grin. âShe what? You mean sheâs quitting?â
âMoving out to Arizona, planning to do PR work for a spa out there. She says the air out there is so much cleaner. Makes the pounds melt away.â
Amy Grodin was going to need a major dose of air to melt down her weight gain, but I bit my tongue before that sentiment slipped out. Ed didnât deal well with catty, and I wasnât good at handing it out in a tactful way. âSo theyâre looking for someone to review restaurants and critique the occasional recipe,â I said, visions of expense account dinners dancing in my head. I could just see that Gold American Express card sliding across the fine linens at The Gotham. Ordering up a storm at Le Cirque. Steaks at Smith & Wollenskyâs. Star-gazing at Joe Allenâs. Sampling the exquisite marriage of Japanese and Peruvian cuisine at Nobuâs. âYou know, I used to work in Wine and Dining. I think I want that job.â
âAnd give up the Death Beat?â Perplexed, Ed adjusted a cord on the fish tankâs filter.
Itâs true, when Iâd landed my current spot thereâd been a frenzy of excitement, partly due to the readership of Herald obits, partly due to the personal challenge. But now that I could sum up a personâs life in three hundred words or less, ennui was setting in. I sighed. âFace it, Ed, most obit writers are journalism wannabes or dusty curmudgeons on their way to retirement.â
âI beg to differ. Obit writing is a giftâa calling for natural storytellers. Like you, Jane. And at the Herald? You come from a position of power: a newspaper with world-famous obits.â
âIâd rather be sampling the achievements of world-famous chefs. Whatâs the dirt on Amyâs gig?â
âItâs a tricky position,â Ed went on. âThe food critic needs to guard his or her identity carefully. It requires vast knowledge of
1796-1874 Agnes Strickland, 1794-1875 Elizabeth Strickland, Rosalie Kaufman