for his country. Recovering from a good laugh, Jonathan asked for a fuller explanation. The task was fairly simple for a man with Sphinx training: they wanted him to slip an envelope into the briefcase of an Italian delegate to the convention. It is difficult to say why he agreed to the thing. He was bored, to be sure, and the hint of fiscal return came at a time when he had just located his first Monet. But there was also the fact that the Italian had recently had the effrontery to suggest that he knew almost as much about the impressionists as Jonathan.
At all events, he did the thing. He never knew what was in the envelope, but he later heard that the Italian had been picked up by agents of his own government and imprisoned for conspiracy.
When he returned to New York, he found an envelope waiting for him with two thousand dollars in it. For expenses, the note had said.
In the ensuing months, he performed three similar messenger jobs for CII and received the same liberal pay. He was able to buy one painting and several sketches, but the church was still beyond his means. He feared that someone else would buy his home—he already thought of it as his. The danger of this was really rather remote. Most of the Long Island religious groups were abandoning traditional churches in favor of A-frame redwood boxes more suited to their use of God.
The climax of this work—a testing period, he discovered later—came in Paris where he was passing the Christmas vacation advising a Texas museum on purchases—attempting to convince them that small paintings could be as valuable as big ones. CII set up an assignment, a simple matter of introducing damaging material into the notebooks of a French government official. Unfortunately, the mark walked in while Jonathan was at work. The ensuing battle went badly at first. As the pair grappled and wrestled around the room, Jonathan was distracted by his attempt to protect a Limoges shepherdess of rare beauty which was in constant danger of being knocked from its fragile table. Twice he released his hold on the Frenchman to catch it as it toppled, and twice his adversary took the opportunity to belabor his back and shoulders with his walking stick. For many minutes the struggle continued. Then suddenly the Frenchman had the statuette in his hand and he hurled it at Jonathan. With shock and fury at the wanton destruction of a thing of beauty, Jonathan saw it shatter against a marble fireplace. He roared with rage and drove the heel of his hand into the rib cage just below the heart. Death was instantaneous.
Later that night Jonathan sat near the window of a cafe on the Place St. Georges, watching snow swirl around scuttling passersby. He was surprised to recognize that the only thing he felt about the episode—other than the bruises—was a deep regret over the Limoges shepherdess. But one thing he decided irrevocably: he would never again work for CII.
Late one afternoon shortly after the beginning of the second semester, he was interrupted in his office work by a visit from Clement Pope. His dislike for this officious flunkey was immediate and enduring.
After Pope had cautiously closed the office door, checked into the cubicle reserved for Jonathan's assistants, and glanced out the windows to the snow-dappled campus, he said meaningfully, “I'm from CII. SS Division.”
Jonathan scarcely glanced up from his papers. “I'm sorry, Mr. Pope. Working for you people no longer amuses me.”
“SS stands for Search and Sanction. You've heard of us?”
“No.”
Pope was pleased. “Our security is the tightest. That's why nobody has heard of us.”
“I'm sure your reputation is deserved. Now, I'm busy.”
“You don't have to worry about that Frog, buddy-boy. Our people in Paris covered it up.” He sat on the edge of the desk and paged through the first papers he found there.
Jonathan's stomach tightened. “Get out of here.”
Pope laughed. “You really expect me to walk out