The Fat Man in History and Other Stories
breasts, but smaller and tighter. She is, generally, slimmer, although she was never fat before.
    I notice here that she is wearing a suspender belt and stockings. I unroll the first stocking and find the leg is disappearing as I unroll. I have no longer any control over myself. The right leg has disappeared. I begin to unroll the left stocking. The leg, perhaps sensitive to the light, disappears with the rolling.
    She sits, legless, on the bed, apparently bemused by the two coats of skin on the floor.
    I touch her hair, testing it. A wig. Underneath a bald head.
    I take her hand, wishing to reassure her. It removes itself from her body. I am talking to her. Touching her, wishing that she should answer me. But with each touch she is dismembered, slowly, limb by limb. Until, headless, armless, legless, I carelessly lose my grip and she falls to the floor. There is a sharp noise, rather like breaking glass.
    Bending down I discover among the fragments a small doll, hairless, eyeless, and white from head to toe.

“Do You Love Me?”

1.
The Role of the Cartographers
    Perhaps a few words about the role of the Cartographers in our present society are warranted.
    To begin with one must understand the nature of the yearly census, a manifestation of our desire to know, always, exactly where we stand. The census, originally a count of the population, has gradually extended until it has become a total inventory of the contents of the nation, a mammoth task which is continuing all the time—no sooner has one census been announced than work on another begins.
    The results of the census play an important part in our national life and have, for many years, been the pivot point for the yearly “Festival of the Corn” (an ancient festival, related to the wealth of the earth).
    We have a passion for lists. And nowhere is this more clearly illustrated than in the Festival of the Corn which takes place in mid-summer, the weather always being fine and warm. On the night of the festival, the householders move their goods and possessions, all furniture, electrical goods, clothing, rugs, kitchen utensils, bathrobes, slippers, cushions, lawnmowers, curtains, doorstops, heirlooms, cameras, and anything else that can be moved into the street so that the census officials may the more easily check the inventory of each household.
    The Festival of the Corn is, however, much more than a clerical affair. And, the day over and the night come, the householders invite each other to view their possessions which they refer to, on this night, as gifts. It is like nothing more than a wedding feast—there is much cooking, all sorts of traditional dishes, fine wines, strong liquors,music is played loudly in quiet neighbourhoods, strangers copulate with strangers, men dance together, and maidens in yellow robes distribute small barley sugar corn-cobs to young and old alike.
    And in all this the role of the Cartographers is perhaps the most important, for our people crave, more than anything else, to know the extent of the nation, to know, exactly, the shape of the coastline, to hear what land may have been lost to the sea, to know what has been reclaimed and what is still in doubt. If the Cartographers’ report is good the Festival of the Corn will be a good festival. If the report is bad, one can always sense, for all the dancing and drinking, a feeling of nervousness and apprehension in the revellers, a certain desperation. In the year of a bad Cartographers’ report there will always be fights and, occasionally, some property will be stolen as citizens attempt to compensate themselves for their sense of loss.
    Because of the importance of their job the Cartographers have become an elite—well-paid, admired, envied, and having no small opinion of themselves. It is said by some that they are over-proud, immoral, vain and foot-loose, and it is perhaps the last charge (by necessity true) that brings about the others. For the Cartographers spend their years

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