black everything, really. But it was well sprung and comfortable, as far as speeding horse carriages go. Brother Shadrach had no fear of speed, and soon the Academy was in the distance and Simon and Clary were looking at each other from across the carriage as they bounced along. Simon tried to talk a few times, but his voice juddered from the impact, the constant thud thud thud of the carriage making its way across Brocelind Plain. The roads in Idris were not the smooth highways Simon was used to. They were paved in stone, and there were no rest stops with bathrooms and Starbucks. There was no heat, but each had been provided with a heavy fur blanket. As a vegetarian, Simon didn’t really want to use it. As a person without much choice who was freezing, he did.
Simon also had no watch, no phone, nothing to tell the passing time except the rising of the late-autumn sun. He estimated that they rode an hour, maybe more. They entered the calming shade of the Brocelind Forest. The smell of the trees and leaves was almost intoxicating, and the sun came through in slashes and ribbons, illuminating Clary’s face and hair, her smile.
His parabatai .
They stopped not too far into the forest. The door opened, and Brother Shadrach was there.
We have arrived.
Somehow, it was worse when it stopped. Simon’s head and body still felt like they were shaking. Simon looked up and saw that they were near the base of a mountain. It stretched above the trees.
This way.
They followed Brother Shadrach down a barely marked track—a light trail where several feet had passed, leaving just the tiniest scar on the ground, a few inches wide. Through a thicket of trees against the mountainside, there was a doorway, about fifteen feet in height. It was wide at the base and narrower at the top. There was a bas-relief carving of an angel just above the lintel. Brother Shadrach took one of the rings on the door and knocked it hard, just once. The door opened, seemingly of its own accord.
They walked down a narrow passage with smooth marble walls, and descended a staircase made of stone. There were no rails, so he and Clary put their hands on either wall to keep from falling. Brother Shadrach, in his long robe, had no such fear of falling. He seemed to glide down. From there, they were in a larger space, which Simon at first thought was made of stones. After a moment he saw that the walls were mosaicked with bones—some chalky white, some gray, some ashy, and some a disturbing brownish color. Long bones formed arches and columns, and skulls, top side out, formed most of the walls. They were finally left in a room where the bone art was really ambitious—great circling patterns of skulls and bones gave the room shape. Above, smaller bones formed more delicate structures, such as chandeliers, which glowed with witchlights. It was like being shown the end of the world’s worst home-decorating show.
You will wait here .
Brother Shadrach exited the chamber, and Simon and Clary were left alone. One thing about the Silent City: It really lived up to its name. Simon had never been anywhere so utterly devoid of sound. Simon worried that if he spoke, the walls of bones would come down on his head and bury them both. They probably wouldn’t—that would be a major design flaw—but the sensation was strong.
After several moments the door opened again and Julian appeared alone. Julian Blackthorn may only have been fourteen, but he seemed older, even older than Simon. He had grown quite a bit, and now Simon could look him eye to eye. He had his family’s characteristic thick, curling dark-brown hair, and his face had a look of quiet seriousness. It was a seriousness that reminded Simon of the way his mother had looked when his father died, and she’d spent nights awake worrying about how to pay the mortgage and feed her children, how to raise them all by herself. No one wore this kind of expression by choice. The only sign that Julian wasn’t an adult
Jennifer LaBrecque, Leslie Kelly