not to sound too desperate when I reply, âIâd rather walk. Where are we going?â
âIâve been chased, shot, cut, beaten, and dragged a hundred leagues in the blink of an eye.â He shrugs and offers me a hand. âI need a drink.â
I stare at him a moment, conflicted.
He carried me. He took an arrow for me.
Iâve had few kind masters in my long, strange life. Cruelty, I understand. But kindness frightens me, for my defenses are weak against it.
Warily, I take his hand and he helps me up. He leads me down a narrow stair along the outside of the building weâre on top of, down to the street.
âWhy did you want that prince to die?â I ask.
Aladdin halts, looking back at me with wide eyes. âNot so loud! Gods.â
âWell?â
âAre you always this nosy?â
âI am when someone asks me if Iâll
kill
for them.â
He lets out a short breath. âI changed my mind about that.â
âI still want to know.â
He rubs his hand across his face. âWeâre here.â
Aladdin steps off the street into one of the many narrow capillaries that lead into the deeper bowels of the city. Walls close in on either side, and lines hung with worn, clean cloth crisscross over our heads. Wind rustles the fabric, so it seems as if the air is filled with whispering ghosts. Through the closed shutters that dot the walls, only the faintest lines of light can be seen.
Aladdin steps behind a stack of rotting crates and holds up a fist to knock on a small wooden door. We wait in the darkness, breathing in the smell of baking bread, and beneath that, the stench of piss, rat, and simmon, a drug made from corris leaf. This last scent wafts out of the door before us, and when it opens suddenly, a wave of the smell washes over us.
The man behind the door is broader than he is tall, but every inch of him is muscle. Leather straps cross over his hairy chest, while his bald head glistens with sweat in the light of the lamp he holds.
âTwo coppers,â he says in a bored tone, without looking up.
Aladdin clears his throat. The man glances at him, then straightens. âOh. Itâs you. Balls, boy, what happened to you? You look terrible.â
âBeen traveling. Whatâre you doing out of prison, Balak? Thought you got ten years for that pig you stole.â
Balak grunts. âThat pig they
claimed
I stole. The bastards canât prove nothing. The Phoenix sprang me.â
Aladdin tenses slightly. âWhat, heâs still knocking around?â
âHe loosed a bunch of us from the prison, those of us he thought were unjustly condemned. Petty thieves, debtors, and the like. Guards have rounded up a few of the fools not smart enough to stay low, but they wonât catch up with me again.â
âDid you see his face?â asked Aladdin. âHas anyone figured out who he is?â
âNever saw nothing but a shadow slipping by, unlocking the cells. Heâd knocked out all the guards, cleared the way out. Nobody knows who he is, but heâs got the whole city singing his praises. Look there.â Balak points to a wall across the street, where a crude red flame has been recently painted. âSign of the Phoenix. Itâs like the whole bloody Tailorâs Rebellion all over again.â The manâs eyes widen, and he drops his gaze. âSorry, lad.â
Aladdin shrugs. âAnyway, heâs an idiot. This so-called Phoenix will end up on the gallows before long, like all the other fools who think they can make a difference in this city.â
Balak laughs and steps aside to let us pass through the little door, then shuts it behind us.
We descend steep, narrow stairs in the dark, the smell of simmon and sweat growing stronger the deeper we get. The passage grows lighter, and the swell of voices reaches our ears. Aladdin pulls the hood of his cloak low over his face.
We step abruptly into a cavernous room
Mark Russinovich, Howard Schmidt