her and seized his chance. He asked her to marry him, and his fatness hovered above her like an avalanche. She dodged, and caught the balustrade. He tried for her hand, and she raised it and smote him weakly in the face. Step by step she went up, dragging herself by the railing. She passed Mr. Skidderâs door as he was red-inking a stage direction for Myrtle Delorme (Miss Leeson) in his (unaccepted) comedy, to âpirouette across stage from L to the side of the Count.â Up the carpeted ladder she crawled at last and opened the door of the skylight room.
She was too weak to light the lamp or to undress. She fell upon the iron cot, her fragile body scarcely hollowing the worn springs. And in that Erebus of the skylight room, she slowly raised her heavy eyelids, and smiled.
For Billy Jackson was shining down on her, calm and bright and constant through the skylight. There was no world about her. She was sunk in a pit of blackness, with but that small square of pallid light framing the star that she had so whimsically and oh, so ineffectually named. Miss Longnecker must be right; it was Gamma, of the constellation Cassiopeia, and not Billy Jackson. And yet she could not let it be Gamma.
As she lay on her back she tried twice to raise her arm. The third time she got two thin fingers to her lips and blew a kiss out of the black pit to Billy Jackson. Her arm fell back limply.
âGood-bye, Billy,â she murmured faintly. âYouâre millions of miles away and you wonât even twinkle once. But you kept where I could see you most of the time up there when there wasnât anything else but darkness to look at, didnât you? . . .Millions of miles . . . Good-bye, Billy Jackson.â
Clara, the coloured maid, found the door locked at 10 the next day, and they forced it open. Vinegar, and the slapping of wrists and burnt feathers proving of no avail, some one ran to âphone for an ambulance.
In due time it backed up to the door with much gong-clanging, and the capable young medico, in his white linen coat, ready, active, confident, with his smooth face half debonair, half grim, danced up the steps.
âAmbulance call to 49,â he said briefly. âWhatâs the trouble?â
âOh, yes, doctor,â sniffed Mrs. Parker, as though her trouble that there should be trouble in the house was the greater. âI canât think what can be the matter with her. Nothing we could do would bring her to. Itâs a young woman, a Miss Elsieâyes, a Miss Elsie Leeson. Never before in my houseââ
âWhat room?â cried the doctor in a terrible voice, to which Mrs. Parker was a stranger.
âThe skylight room. Itââ
Evidently the ambulance doctor was familiar with the location of skylight rooms. He was gone up the stairs, four at a time. Mrs. Parker followed slowly, as her dignity demanded.
On the first landing she met him coming back bearing the astronomer in his arms. He stopped and let loose the practised scalpel of his tongue, not loudly. Gradually Mrs. Parker crumpled as a stiff garment that slips down from a nail. Ever afterward there remained crumples in her mind and body. Sometimes her curious roomers would ask her what the doctor said to her.
âLet that be,â she would answer. âIf I can get forgiveness for having heard it I will be satisfied.â
The ambulance physician strode with his burden through the pack of hounds that follow the curiosity chase, and eventhey fell back along the sidewalk abashed, for his face was that of one who bears his own dead.
They noticed that he did not lay down upon the bed prepared for it in the ambulance the form that he carried, and all that he said was: âDrive like hââââ1, Wilson,â to the driver.
That is all. Is it a story? In the next morningâs paper I saw a little news item, and the last sentence of it may help you (as it helped me) to weld the incidents
Jennifer LaBrecque, Leslie Kelly