same pinot, even the same vintage that Stump gave him earlier today when he talked to her at Pittinelliâs. The same pinot, same vintage, of the bottle he accidentally left in his gym bag along with his Prada shoes.
He takes more photographs, returns to the kitchen, and notices something on a countertop that strikes him as peculiar: The torn cardboard and plastic packaging from a disposable cameraâa Solo H 2 O with a flash. Maybe some insurance investigator taking pictures of the damage to the house. But rather unprofessional to use a disposable camera. He opens cupboards, rummages, finds an old stew pot, two foil pans. Careful how he touches them, he places the bottle of wine in the pot, the candle in one foil pan, and the disposable camera package in the other. One last sweep with his light, and he notices a window that isnât latched, notices disturbed dust on both sides of the glass. More photographs using side lighting, but he doesnât see any ridge detail, just smudges. A lot of peeling paint has been knocked off the sill and the outside of the sash. Could have been done by someone opening the window from the outside and maybe climbing through it.
Stump sounds distracted when she answers her phone. When she realizes itâs him, she seems taken aback.
âI thought I made it clear youâre on your own,â she says au thoritatively, as if she might arrest him.
âThe 2002 Wolf Hill pinot,â he says.
âYouâre calling me at this hour to tell me what you think of the wine?â
âYou said you just got it in. Has anybody bought it? And do any other stores carry it around here?â
âWhy?â
Her tone is different, as if sheâs not alone. An alarm is going off inside him. Be careful what you say.
âPrice shopping.â He thinks fast. âUncorked it when I got home. Amazing. Thought Iâd get a case of it.â
âYouâre really nervy, you know that?â
âSo I was kicking back, started thinking. Maybe you should try it with me,â he says. âAt my place. I cook a mean veal chop.â
âI donât believe in eating baby calves,â she says. âAnd Iâve got no interest in having dinner with you.â
FOUR
Nanaâs Buick shakes and coughs as the engine turns off, and the driverâs door screeches open like a prehistoric bird.
Win pockets the key, wonders why Farouk the landlord is sitting on the back steps, lighting a cigarette. Since when does he smoke, and heâs breaking his own rule. No smoking, no lighting matches or grills, not so much as a spark is allowed on the grounds of his nineteenth-century brick apartment building, a former school, impeccably maintained and rented to privileged people. Or in Winâs case, to someone who earns his keep. Itâs past midnight.
âEither you just started a nasty new habit or somethingâs up,â says Win.
âAn ugly shorty was looking for you,â Farouk says, a dish towel under him, probably so he doesnât get dirt on his ill-fitting white suit.
âShe calls herself my shorty?â Win says. âOr is that what youâre calling her?â
âShe say it, not me. I donât know what it is.â
âGang slang for girlfriend,â Win says.
âSee! I knew she was a gangster! I knew it! Thatâs why Iâm this upset! I donât want peoples like that, try very hard to keep things the right way.â In his heavy accent. âThese peoples you see in your job, they come here, I have to ask you to move out! My tenants will complain and I will lose my leases!â
âEasy going, Farouk . . .â
âNo! I let you here for this unbelievable good price to protect me from bad peoples, and then they come here, these very ones youâre supposed to keep away!â He jabs his finger at Win. âGood thing no one but me sees her! Iâm very upset. Peoples like that show up here, and you