The Game

The Game by Neil Strauss Read Free Book Online

Book: The Game by Neil Strauss Read Free Book Online
Authors: Neil Strauss
Tell her, “Beauty is common but what’s rare is a great energy and outlook on life. Tell me, what do you have inside that would make me want to know you as more than a mere face in the crowd?” If she begins to list qualities, this is a positive IOI.

    12. Stop talking. Does she reinitiate the chat with a question that begins with the word “So?” If she does, you’ve now seen three IOIs and can…
    13. Kiss close. Say, out of the blue, “Would you like to kiss me?” If the setting or circumstances aren’t conducive to physical intimacy, then give yourself a time constraint by saying, “I have to go, but we should continue this.” Then get her number and leave.

    —Mystery

    The Mystery Method course handout
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    2 The photo routine involves carrying an envelope of photos in a jacket pocket, as if they’ve just been developed. Each photo, however, is pre-selected to convey a different aspect of the PUA’s personality, such as images of the PUA with beautiful women, with children, with pets, with celebrities, goofing off with friends, and doing something active like roller-blading or skydiving. The PUA should also have a short, witty story to accompany each photo.

Sure, there is Ovid, the Roman poet who wrote The Art of Love; Don Juan, the mythical womanizer based on the exploits of various Spanish noblemen; the Duke de Lauzun, the legendary French rake who died on the guillotine; and Casanova, who detailed his hundred-plus conquests in four thousand pages of memoirs. But the undisputed father of modern seduction is Ross Jeffries, a tall, skinny, porous-faced self-proclaimed nerd from Marina Del Rey, California. Guru, cult leader, and social gadfly, he commands an army sixty thousand horny men strong, including top government officials, intelligence officers, and cryptographers.
    His weapon is his voice. After years of studying everyone from master hypnotists to Hawaiian Kahunas, he claims to have found the technology—and make no mistake about it, that’s what it is—that will turn any responsive woman into a libidinous puddle. Jeffries, who claims to be the inspiration for Tom Cruise’s character in Magnolia, calls it Speed Seduction.
    Jeffries developed Speed Seduction in 1988, after ending a five-year streak of sexlessness with the help of neuro-linguistic programming (NLP), a controversial fusion of hypnosis and psychology that emerged from the personal development boom of the 1970s and led to the rise of self-help gurus like Anthony Robbins. The fundamental precept of NLP is that one’s thoughts, feelings, and behavior—and the thoughts, feelings, and behavior of others—can be manipulated through words, suggestions, and physical gestures designed to influence the subconscious. The potential of NLP to revolutionize the art of seduction was obvious to Jeffries.
    Over the years, Jeffries has either outlasted, sued, or crushed any competitor in the field of pickup to make his school, Speed Seduction, the dominant model for getting a woman’s lips to touch a man’s—that is, until Mystery came along and started teaching workshops.
    Thus, the clamor online for an eyewitness account of Mystery’s first workshop was overwhelming. Mystery’s admirers wanted to know if the class was worthwhile; his enemies, particularly Jeffries and his disciples, wanted to tear him apart. So I obliged, posting a detailed description of my experiences.
    At the end of my review, I issued a call for wings in Los Angeles, asking only that they be somewhat confident, intelligent, and socially comfortable. I knew that in order to become a pickup artist myself, I would somehow have to internalize everything I had seen Mystery do. This would happen only through practice—through hitting the bars and clubs every night until I became a natural like Dustin, or even an unnatural like Mystery.
    The day my report on the workshop hit the Internet, I received an e-mail from someone in Encino nicknamed Grimble, who identified himself

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