simple. Believe in everything; believe in nothing. Hold tight to yourself and your sanity.
Even when they kill you, it has no meaning, unless you believe that you have died.
Upon this plain of illusion where these all-too-mutable bodies whirl and feint in a trite pavane that I have seen a thousand times before, plucking swords and mirrors and monsters from the air to throw at one another like jugglers gone mad, the most frightening thing of all is a simple touch.
The symbolism is direct, the meaning clear. Flesh upon flesh. Stripped of metaphor, stripped of protection, stripped of masks. Mind upon mind. When we touch, the walls are down.
Even time is illusory in the game of mind; it runs as fast, or as slow, as we desire.
I am Cyrain, I tell myself, born of Ash, far-traveled, a Wisdom of Dam Tullian, master of the game of mind, mistress of the obsidian castle, ruler of Croan'dhenni, mindlord, painlord, lifelord, whole and immortal and invulnerable. Enter me.
His fingers are cool and hard.
* * * *
I have played the game of mind before, have clasped hands with others who thought themselves strong. In their minds, in their souls, in them, I have seen things. In dark grey tunnels I have traced the graffiti of their ancient scars. The quicksand of their insecurities has clutched at my boots. I have smelled the rank odor of their fears, great swollen beasts who dwell in a palpable living darkness. I have burned my fingers on the hot flesh of lusts who will not speak a name. I have ripped the cloaks from their still, quiet secrets. And then I have taken it all, been them, lived their lives, drunk the cold draught of their knowledge, rummaged through their memories. I have been born a dozen times, have suckled at a dozen teats, have lost a dozen virginities, male and female.
Kleronomas was different.
I stood in a great cavern, alive with lights. The walls and floor and ceiling were translucent crystal, and all around me spires and cones and twisted ribbons rose bright and red and hard, cold to the touch yet alive, the soulsparks moving through them everywhere. A crystalline fairy city in a cave. I touched the nearest outcropping, and the memory flooded into me, the knowledge as clear and sharp and certain as the day it had been etched there. I turned and looked around with new eyes, now discerning rigid order where initially I had perceived only chaotic beauty. It was clean. It took my breath away. I looked everywhere for the vulnerability, the door of gangrenous flesh, the pool of blood, the place of weeping, the shuffling unclean thing that must live deep inside him, and I found nothing, nothing, nothing, only perfection, only the clean sharp crystal, so very red, glowing from within, growing, changing, yet eternal. I touched it once again, wrapping my hand about an outcropping that rose in front of me like a stalagmite. The knowledge was mine. I began to walk, touching, touching, drinking everywhere. Glass flowers bloomed on every side, fantastic scarlet blooms, fragile and beautiful. I took one and sniffed at it, but it had no scent. The perfection was daunting. Where was his weakness? Where was the hidden flaw in this diamond that would enable me to crack it with a single sharp blow?
Here within him there was no decay.
Here there was no place for death.
Here nothing lived.
It felt like home.
And then in front of me the ghost took form, grey and gaunt and unsteady. His bare feet sent up thin tendrils of smoke as they trod lightly on the gleaming crystals underneath, and I caught the scent of burning meat. And I smiled. The spectre haunted the crystal maze, but every touch meant pain and destruction. “Come here,” I said. He looked at me. I could see the lights on the far side of the cavern through the haze of his uncertain flesh. He moved to me and I opened my arms to him, entered him, possessed him.
* * * *
I seated myself upon a balcony in the highest tower of my castle, and drank from a small cup of fragrant
Douglas Preston, Lincoln Child