you okay?â asked Russell.
âDonât worry about me,â I said, grimly committed to making two completely incompatible faces at the same time.
âYouâre making kind of a strange face.â
âNo. Iâm not.â
âThere isnât something in your eye or something?â
âDonât come,â said Ash. âI donât want you guys to come.â
âYou sure,â I said.
âYeah,â she said, and gave me a little smile.
âSounds good,â said Corey uncertainly.
âLetâs go see Bill,â she said to Russell.
And they left. And Corey and I went into the dorm, alone.
The common room was full of dudes. But no one was interested in talking to us except Tim, the scumbag guitarist.
âYou cats caused quite a stir,â he said to us in a voice that was trying to be at least half an octave deeper than it actually was. âEspecially the
lady
.â
Corey actually just sped up and walked out of the room.
âJoin me for a square?â Tim said to me, twirling a cigarette pack and almost dropping it.
And before I knew what was happening, I found myself out behind the dormâs fire exit for fifteen minutes, watching Tim chain-smoke Parliaments and listening to him tell me How It Is. He was talking in Stage Four Jazz Voice about Ash in particular and ladies in general and how he always found himself falling for crazy ladies, ladies with
fire
, where sometimes the fire burnsslow and sometimes it burns hot, and the only thing they like better than bossing you is when you step up and boss
them
.
âThey
jones
on you manninâ up, down, and sideways, my froond,â he told me. âAnd itâs the
only
game in town thatâll get âem to quit bossinâ you every which.â
Then he took a long drag, chuckled, and looked me in the eye.
He was probably trying to get his eyes to twinkle. But the effect was sort of just squinty and intense. It was the face of when someone is trying to fart, except thereâs a razorâs edge between farting and pooping.
I had restricted myself to politely murmured agreement up to that point. But âfroondâ was just a bridge too far.
âFroond?â I repeated. I didnât even know how to begin raising objections to it. I found myself just repeating it over and over. âFroond? . . . froond.
Froond
.â
âFroond, like âfriend,ââ said Tim.
âYeah. But, uh. But, Tim. Who says âfroond.ââ
âSpeakers of the lingo known as Ger-manical, my froond.â
âOkay. Well, German. Not Germanical. Second,
in
German, according to every German class Iâve ever taken, itâs
froynd
.â
âF-R-U-E-N-D? Believe that spellifies
froond
.â
âWell, that doesnât, but also, itâs E-U. Not U-E. Pronounced
froynd
.â
âDepends on the, uh, dialecticaciosi-
cality.â
âThe dialect. No. No dialect has âfroond.ââ
âAgree to disagree.â
âTim. Itâs always
froynd
. Everywhere. Also, youâre wrongabout women. Women hate being bossed around. Thatâs the whole reason feminism exists. And in general, man, you gotta not talk like that.â
Tim kept smiling, but his face did something between a blink and a flinch.
âTalk like what,â he said.
âTalk, like, this whole made-up thing, where every sentence youâre trying to remind people that you play jazz and arenât just some other suburban white kid with orthodontist parents.â
Now his face had gone a kind of ugly blank. But I had to keep going.
âYou gotta not try to talk black. Because letâs be honest, thatâs what youâre trying to do. Youâre trying to do blackvoice. So stop. Youâre not even doing it right. I mean, you just tried to throw âfroondâ in there.â
We gazed at each other.
Then he said: âWell, this is how I talk
Andreas J. Köstenberger, Charles L Quarles