but she kept the blanket parted to see the stark pastures, so pretty, the bare and veiny lone pecans and oaks, the long narrow pines.
Aunt Vish flicked the crop and nodded her head. Creasie looked up to see the little shack in the snow-dusted yard, beneath the splayed heavy bare limbs of a single oak. A cold black washpot sat on black dead coals below the leaning porch. A curl of gray wispy smoke rose from the narrow brick chimney. Three small black faces peered out from plain colorless curtains. Going to be cold in there, too, Creasie thought.
But inside, just one big room with a fireplace full of seething coals, the air was overly warm and smelled strong and ripe, like a squirrel just after Aunt Vish skinned it fresh in her little kitchen, and bad, too, like poop. An iron kettle hung low over the fireplace coals, something inside it steaming.
A dozen or more pairs of black eyes looked at her from faces nearly hidden in the gloomy light. Children from big to small, standing against the walls and squatting on the floor, all of them looking at Aunt Vish and then at her, at Vish, at her. She stuck to her spot where sheâd stepped just inside the door.
Aunt Vish shed her coat and went straight for the steaming pot to ladle some of what was in it to a basin. She took a bar of soap from the hearth, dropped it in the basin, then went over to the big bed where the woman lay under a pile of quilts and blankets. A bright round copper face shiny with sweat, its brow furrowed, peered from where it was sunk in a dirty-looking pillow.
A big man she hadnât seen got up from a little wooden chair in the corner by the door and went outside. Creasie went to the window and looked out. The man walked past their buckboard and horse and walked straight into the woods across the road and didnât come out. She saw, didnât notice when heâd got up, that he wore no shirt, the gray-black skin looking frozen on his back. A little wisp of steam seemed to rise from his short, crumply hair. A gray tufty cat, trotting like a dog, followed the man across the road and into the woods. The cat had come from under the house. Creasie slipped back out the door and went to the edge of the porch, leaned over, and peered under it. The eyes and impassive faces of a small colony of cats and dogs peered back from curled, puffy forms laid about on the packed earth.
She heard the woman inside screaming. Just one loud scream and then nothing. The wind blew in gusts and whipped the light snow into little snow devils across the bare yard. She straightened up and looked at the horse. He shifted his haunches in the old cracked harness. Long dreamy puffs of warm air frosted from his nostrils. She wished she could fit there, in that warm air from his horse nostrils. A cold blast of wind came round the house and hit him broadside, whipped his mane and tail. The horse shifted footing and his hooves squeaked in the shallow fallen layer of snow. Aunt Vishâs old leather crop rested in its knothole beside the seat, and the stringy tips of its braided horsehair flickers rested on the horseâs chestnut flank. They were made from the horseâs own tail. His name was Dan. A long, slow fart flabbered from the proud black lips of Danâs hole, and the smoke from it too trailed off in the air.
Her feet and hands were stiff with cold. Be like this when Iâm old like Aunt Vish, all the time, she thought. She didnât want to go back inside. She listened. Still no sounds in there. She got too curious, went back in. Maybe the woman had died. She wanted to see her, see if her eyes stayed open. Aunt Vish said some people closed their eyes when they died, some didnât. Depends on what they seeing when they die, Aunt Vish said. They like what they see, they close they eyes. Donât like it, canât stand to look off.
All the eyes and faces of the children were in their same places and Aunt Vish was again washing her hands in the basin. Her
Sherrilyn Kenyon, Dianna Love, Laura Griffin, Cindy Gerard