imaginative? They have lived through the mysterious disappearance of their father, their mother being branded a murderess, their home being turned into a tourist attraction for the ghoulish and they have survived it relatively unscathed. I think 'ecstatic' might be a better description of how I feel about the way they've turned out."
"We suggested at the time you should send the children away, Mrs Maybury." Walsh kept his voice carefully neutral. "You chose to keep them here against our advice."
Phoebe stood up. It was only the second time he had ever seen any violent emotion on that face. "My God, I hate you." She put her hands on the desk and he saw that the fingers trembled uncontrollably. "Where was I to send them? My parents were dead, I had no brothers or sisters, neither Anne nor Diana was in a position to care for them. Was I supposed to entrust them to strangers when their own secure world was turning upside down?" She thought of her only relation, her father's unmarried sister, who had fallen out with the family years before. The old lady had read between every line of every newspaper with voracious delight and had penned her own small piece of poison to Phoebe on the subject of the sins of the parents. What her intentions were in writing the letter was anyone's guess but, in a strange way, her warped predictions for Jonathan and Jane had been a liberation for Phoebe. She had seen clearly then-and for the first time-that the past was dead and buried and that regrets would achieve her nothing.
"How dare you speak to me of choice! My only choice was to smile while you shat on me and never once let the children know how frightened and alone I felt." Her fingers gripped the edge of the desk. "I will not go through all that again. I will not allow you to stick your dirty fingers into my children's lives. You've spread your filthy muck here once. You're bloody well not going to do it again." She turned away and walked to the door.
"I've some more questions for you, Mrs. Maybury. Please don't go."
She looked round briefly as she opened the door. "Fuck off, Inspector." The door slammed behind her.
McLoughlin had listened to their exchange with rapt attention. "Bit of a sea-change from this afternoon. Is she always as volatile?"
"Quite the reverse. Ten years ago we never rattled her composure once." He sucked thoughtfully on his filthy briar.
"It's those two dykes she's shacked up with. They've turned her against men."
Walsh was amused. "I should think David Maybury did that years ago. Let's talk to Mrs. Goode. Will you go and find her?"
McLoughlin reached for a sandwich and crammed it into his mouth before standing up. "What about the other one? Shall I line her up too?"
The Chief Inspector thought for a moment. "No. She's a dark horse, that one. I'll let her stew till I've checked up on her."
From where he was standing, McLoughlin could see pink scalp shining through Walsh's thinning hair. He felt a sudden tenderness for the older man, as if Phoebe's hostility had exorcised his own and reminded him where his loyalties lay. "She's your most likely suspect, sir. She'd have enjoyed cutting that poor sod's balls off. The other two would have hated it."
"You're probably right, lad, but I'm betting he was dead when she did it."
5
Streech Grange was a fine old Jacobean mansion built of grey stone, with mullioned, leaded windows and steep slate roofs. Two wings, later additions, extended out at either end of the main body of the house, embracing the sides of the flagged terrace where the women had taken their tea. Stud partitions inside made each of these wings self-contained, with unlocked doors on the ground floor giving access to and from them. Sergeant McLoughlin, after a fruitless search of the drawing-room and the kitchen which were both empty, came to the communicating door with the east wing. He tapped lightly but, getting no response, turned the handle and walked down the corridor in front of him.
A door
Debby Herbenick, Vanessa Schick