blown and blackened leaves, and by some trick of light the well below it seems always filled to the brim with impossibly still, impossibly clear water. The walls, clad in slotted wooden laths, were painted immemorially with buff distemper that has turned an unpleasantly sulphurous shade, and with the sun on them, as now, give off a dry, not unpleasant, wood-and-paint smell, the smell of family hotels and rickety seaside chalets, though the sea is a good twenty miles off, and who would think of holidaying here at Arden House, except perhaps Roddy Wagstaff, and he does not count? What caprice led Ivy Blount’s great-grandfather, the whimsical St. John Blount, to have half the house’s wall-space covered with this cheap wood battening? The wonder of it is the place has survived so long and not been set fire to by lightning bolt or rebel torch. “Tinder,” his mother says, “this great gazebo—nothing but tinder.”
Adam walks round two sides of the balconied landing, moving under the leaded glass roof through sharp-edged flickers of light and shadow, hearing his bare feet paddling softly, moistly, on the uncarpeted boards. He comes to another door and again stands listening; he fancies he hears from within his sleeping wife softly breathing, and the faint, diaphanous sound stirs his senses.
“What are you doing?” Helen blurredly demands, sitting up quickly. Something in him always vibrates anew to the sound of her voice, its dark, true note, as on an oboe. She looks at the empty place in the bed beside her, feels the cold pillow with her hand. She frowns. “Where did you go?”
As always his wife’s beauty strikes him as if for the first time—strikes him, yes, for he feels the effect of it like a soft blow to the heart. Why was it he that she chose to marry when so many others had pled with her in vain? The question gnaws at him, he broods on it, but finds no answer. Strangely, though, it warms him, too, affords him a bodeful, warming thrill, which he cannot account for. He toys repeatedly with the possibility of losing her; he is like one afflicted with a fear of falling who drags himself back again and again to the very brink of the precipice. Life without her is unimaginable for him. He wonders if this will change, if one day, old and tired and disenchanted, he will look back and ask himself how he could ever have been held in such helpless thrall by her. She is only human, after all, a human being, like himself. But no, no, she is not like him. The beautiful ones, the rare ones as beautiful as she, are different, he is convinced of it: they carry their beauty like a burden that does not weigh down but magically lightens. Theirs is another way of being human, if they are human at all.
Hear my old Dad licking his chops in the background?—she is no goddess of loveliness, but a human girl, all right. If she were not he would not pine after her as achingly as he does. It is their very humanness he covets, the salacious old rip.
Neither of them brought nightwear, and Helen, excitingly to Adam, has on Adam’s shirt that he wore yesterday, pale blue, like his undersized pyjamas, with a faint white stripe. She is still looking at him strangely, with a strange surmise. The small, square room is shoddily furnished with things that over the years since it ceased to be his have migrated to here from elsewhere in the house. There is the old-fashioned high bed, two bedside lockers painted a sickly shade of chocolate brown, a spindle-legged table, ditto, bearing a china basin with matching jug and a speckled oval shaving mirror on a wooden stand; there is a straw-bottomed chair and, on the floor at the foot of the bed, a brassbound mahogany chest with SS Esmerelda inscribed in neat poker-work on the lid. Some old things of his remain, too, a glue-encrusted model aeroplane on a stand, a faded poster of a football team pinned to the wall, a hurley stick standing in a corner like the long leg-bone of some fleet creature.