the first to speak. He says, “You’re the little lady.”
* * *
The counterweight, conscripted into service by the accident, rockets into the aerie of the shaft, angry with new velocity.
* * *
Only Chuck knows for sure whether it is his congenitally weak bladder (family lore tells of three aunts and a cousin with the same affliction) or his distaste for Chancre’s unabashed politicking that makes him rise from his leatherette stool and pad over to O’Connor’s scary toilet facilities. Chancre is still spinning out today’s accident into a stump speech on the accomplishments of his four years as Guild—and hence Department—Chair. The election is just around the corner, after all, and Chuck (a clever man, but not precocious about it) knows Chancre’s game. This press conference allows Chancre to reach members of the Elevator Inspectors Guild who no longer work for the city, the “unactives” who have retired from the lonesome life running the streets, have secluded themselves behind the ivy gates of the Institute for Vertical Transport or entered into the private sector, consulting the dolts from United and American and Arbo on what elevators are really about, the secrets the shafts have to tell to those who know how to listen. The men in the Department are Chancre’s, mostly Empiricists, he’s seen to that, but the unactives are a mercurial bunch, tending to cranky, nonpartisan dispositions. And they vote. Anyone who’s a member of the EIG votes every four years on the new Guild Chair, and the Guild Chair automatically becomes the head of the city’s Department of Elevator (and escalator, Chuck adds) Inspectors. Chuck still doesn’t know howthis arrangement between the Guild and the city came about, and when he asks one of the Old Dogs about it, they change the subject and look nervous. Chuck hasn’t been able to find anything on paper about it, not even in the silent archives of the Institute, not a single precedent, but nevertheless: the Guild members elect their Chair, and the Chair gets a nice government job. Chuck supposes that if an incumbent lost his reelection bid, he could conceivably refuse to budge and cling to his cushy leather chair for dear life, but that’s never happened. Chuck can see Chancre doing it, though, and as he walks into the alcove in front of O’Connor’s bathrooms he wonders what would happen then.
She pulls him into the ladies’ room before he knows what happened. The ladies’ room in O’Connor’s was designed to accommodate one person. Two people is cozy, and three is scandalous, but that’s how many are in there now: Chuck, Lila Mae and Piefaced Annie. Piefaced Annie, she of the gravely mug, is passed out on the toilet, as she always is at this time of day. O’Connor’s lone female alcoholic, Piefaced Annie puts in a long day and needs this time to rest up for the long final lap of the day’s drinking. She doesn’t look passed out so much as eerily blissful, almost as if … Lila Mae has already taken her pulse just in case. It was a short scurry from her flimsy hiding place in the bar to the bathrooms; she started when she saw Chuck rise and made it around the corner before he’d even escaped the crowd. In the spirit of decency, Lila Mae pushed Piefaced Annie’s legs together from their aerated generosity.
Chuck is equally disturbed by three things: the ease of his kidnapping, which insults his sense of alertness; the unfamiliarity of being in a ladies’ bathroom, which brings to his mind an unsettling flash of his mother squatting; and the surety that Lila Mae is going to drag him into this deplorable business about the Fanny Briggs building. “Lila Mae,” he says, “I don’t think this is very appropriate.” He can feel the wet sink dampen the backs of his thighs.
“Sorry about this, Chuck,” she replies, “but I have to know what happened today.”
“You haven’t checked in upstairs yet?”
“I wanted to be prepared.”
In the end, it
MR. PINK-WHISTLE INTERFERES