such strange hours. The atmosphere of the music hall isnât the proper kind for a young girl growing up. The noise, the peopleâno, I donât think itâs the right place for you.â
âYouâve never worried about it before, Mattie,â I said. âI love the music hall. I love the people. Theyâre wonderfulâall of them. I am gloriously happy.â
âAre youâreally?â
âYou know I am.â
âJuliaâIâve been thinkingââ She hesitated.
âYes?â
âA change of pace would do you good. Youâve been looking pale and drawn recently. You need some fresh air, something to put some color back into your cheeks. How would you like to spend a month or two in Devonshire?â
âDevonshire?â
âYes. Itâs lovely this time of year. Not at all like London. No fog, no uproar, no polluted air, just lovely countryside. There are flowers and trees and little streams, and the sea is nearby. You can smell the salty tang in the airââ
âHow would you know, Mattie?â
âI was born there. I lived there until I married.â
âYou want to send me away,â I said quietly. There was sadness in my voice.
âNo, darling. It isnât thatââ
Mattie looked up at me. Her gray eyes were troubled, and there was a crease in her brow. I knew this was hard for her. She was not good at dissembling. It was not easy for her to appear off hand and casual when all the time she was sick with worry. She could tell from the look in my eyes that she had not succeeded in her little pretense, and she turned back to the bowl of peas, snapping them briskly and throwing the broken ends into a paper sack at her feet. I loved her so much. I wanted to make this easier for her.
âYou want me to go?â I asked.
âYes, Julia. For a little while.â
âWill you tell me why?â
âI canât, darling.â
âItâit has something to do with that man who was following me, doesnât it?â
âIâyes, yes it does. Bill and I are both worried about that. We think you should get away for a while.â
I could see that she was evading something. There was something more she was not telling me. I did not doubt that the man who had been following me to the music hall was partly responsible for this decision to send me away, but I knew there was another reason, too. This Mattie did not intend to tell me about.
âYou can be honest with me, Mattie,â I said. âIâm not afraid. I want to know why you want to send me to Devonshire.â
Mattie pushed the bowl of peas away from her. She looked down at her ink-stained fingers for a moment, her head bowed. She seemed to be making some decision in her mind. She looked up at me, and her face was calm. The clear gray eyes stared into mine with a level gaze.
âJulia,â she said quietly, âdo you trust me?â
âYou know I do,â I replied.
âAnd do you believe that I would only do what was best for you?â
âOf course, Mattie.â
âVery well. You must trust me now. You must believe that this is the best thing for you at the moment. I wouldnât send you away if there was not a good reason. Please donât ask me any more questions. I should only have to evade them, and I havenât much art at evasion.â
âAll right, Mattie,â I replied humbly.
âI have a very good friend in Devonshire, Corinne Lyon. Sheâs a bit eccentric, but sheâs a lively old thing. Youâll like her. She has a lovely country place, Lyon House, just outside a charming little village. Itâs surrounded by woods and fields and there is a stream that runs through the estate. She lives there with Agatha Crandall, her paid companion, and her young nephew, Edward Lyon, whoâs just finished his studies at Oxford. Iâve written to Corinne about you, and she is wild