angry. âNow listen, Jack, thereâs no call for that. I came out of respect for your dad, and . . .â
âGet him out!â Jack snarls.
At Woodyâs side, Laurel is pale, clutching her purse as if sheâs protecting her chest. Taylor steps forward. Itâs been a while since Iâve seen her. She looks good, but different, tense around the eyes and mouth. Sheâs wearing a gray dress and high heels and her hair is short and crisp. âJack, cut it out!â Her voice hasnât changed. Itâs husky, tomboyish. Right now itâs raw with emotion.
âTaylor, you stay out of this. Itâs none of your business.â
Taylor steps close in and kneels next to Jackâs wheelchair. âYes, it is my business. You canât keep on blaming Woody. Itâs as much my fault as it is his.â
âFuck you, Taylor!â
âTamp it down, son,â Walter says, his hand on Jackâs shoulder. âWe got kids here, and church folks.â
âJust get him out of here.â Jackâs arms shoot out as if heâs flinging the whole idea of Woody away from him. He comes close to clipping Woody, who rears his head back just in time. âAnd her, too.â
Taylor glances up at Dunn and a look of some kind of understanding passes between them. Dunn reaches out and offers his hand to help her to her feet. Thereâs something oddly familiar in the gesture, as if they both know Jack so well that they donât have to be introduced to one another.
Woody steps forward. Sweat is beaded on his brow. âJack, youâve got to let me help you!â
Taylor stands up and grabs Woodyâs arm. âNot now, Woody.â
âLet go of me! I need to talk to Jack.â Woody has drunk his share of alcohol.
Laurel pulls at Woodyâs other arm. âCome on now, honey.â
âI said no! I need to talk to Jack.â
âThis isnât a good time!â Taylorâs voice is like a whip crack, and Woody deflates. The two women propel Woody past the embarrassed onlookers and out the front door.
âOkay, folks,â Jacks yells. âShowâs over. Drink up! In honor of my daddy.â He takes a long drink of whatever brown whiskey is in his glass.
âHear, hear! Drink up,â his army buddies chorus, and follow his lead. The wives are standing near the table watching. All of them look like theyâd give anything to see the last of Jack Harbin.
I look around for Marybeth Harbin, thinking I should say something to her on my way out, but I donât see her anywhere. Iâm almost to my car when I look down the street and see Taylor talking to Curtis, face twisted with fury, her fists clenched and her back rigid.
My heart constricts at the sight. Years ago Taylor was a happy, lovely girl. What has put her in such a state? What has she got to talk to Curtis about?
And then I remember that Curtisâs wife is Taylorâs younger sister. I never knew the sister. Apparently she was a painfully shy girl, the opposite of Taylor. Jeanne told me it was shameful how relieved their mother was to get the younger girl married offâthey thought sheâd be an old maid. So that is the wife Curtis told me needed to stay home and take care of âhisâ kids.
Suddenly Taylor draws back her hand and slaps Curtis. He grabs her hand and flings it away so violently that Taylor stumbles and almost loses her balance. I take a step in their direction, but Taylor turns her back on Curtis and strides away, leaving him glaring at her, fists clenched at his sides.
Years ago, Taylor would stop by and say hello when she was in town. I watched her evolve from a giggling, larking teenager to a solemn young wife married to Woody and then divorced. When she went off to college, Jeanne and I saw less of her. Somewhere along the line she lost her teasing, friendly ways and became more serious, even strict. Jeanne worried about her and thought
and David Moon Patrick Ruffini David Segal