they?â
Grace saw it again in her mindâthe cold round end of the pistol, the slow, seductive gaze of the highwayman. He wouldnât have shot her. She knew that now. But still, she murmured, âThey did, actually.â
âWere you terrified?â Elizabeth asked breathlessly. âI would have been. I would have swooned.â
âI wouldnât have swooned,â Amelia remarked.
âWell, of course you wouldnât,â Elizabeth said irritably. âYou didnât even gasp when Grace told you about it.â
âIt sounds rather exciting, actually.â Amelia looked at Grace with great interest. âWas it?â
And GraceâGood heavens, she felt herself blush.
Amelia leaned forward, her eyes lighting up. âWas he handsome, then?â
Elizabeth looked at her sister as if she were mad. âWho?â
âThe highwayman, of course.â
Grace stammered something and pretended to drink her tea.
âHe was ,â Amelia said triumphantly.
âHe was wearing a mask ,â Grace felt compelled to point out.
âBut you could still tell that he was handsome.â
âNo!â
âThen his accent was terribly romantic. French? Italian?â Ameliaâs eyes grew even wider. âSpanish.â
âYouâve gone mad,â Elizabeth said.
âHe didnât have an accent,â Grace retorted. Then she thought of that lilt, that devilish little lift in his voice that she couldnât quite place. âWell, not much of one. Scottish, perhaps? Irish? I couldnât tell, precisely.â
Amelia sat back with a happy sigh. âA highwayman. How romantic.â
âAmelia Willoughby!â Elizabeth scolded. âGrace was just attacked at gunpoint, and you are calling it romantic?â
Amelia opened her mouth to reply, but just then they heard footsteps in the hall.
âThe dowager?â Elizabeth whispered to Grace, looking very much as if sheâd like to be wrong.
âI donât think so,â Grace replied. âShe was still abed when I came down. She was ratherâ¦ehrmâ¦distraught.â
âI should think so,â Elizabeth remarked. Then she gasped. âDid they make away with her emeralds?â
Grace shook her head. âWe hid them. Under the seat cushions.â
âOh, how clever!â Elizabeth said approvingly. âAmelia, wouldnât you agree?â Without waiting for an answer, she turned back to Grace. âIt was your idea, wasnât it?â
Grace opened her mouth to retort that she would have happily handed them over, but just then Thomas walked past the open doorway to the sitting room.
Conversation stopped. Elizabeth looked at Grace, and Grace looked at Amelia, and Amelia just kept looking at the now empty doorway. After a moment of held breath, Elizabeth turned to Amelia and said, âI think he does not realize we are here.â
âI donât care,â Amelia declared, and Grace believed her.
âI wonder where he went,â Grace murmured, although she did not think anyone heard her. They were all still watching the doorway, waiting to see if heâd return.
There was a grunt, and then a crash. Grace stood, wondering if she ought to go investigate.
âBloody hell,â she heard Thomas snap.
Grace winced, glancing over at the others. They had risen to their feet as well.
âCareful with that,â she heard Thomas say.
And then, as the three ladies watched in silence, the painting of John Cavendish moved past the open doorway, two footmen struggling to keep it upright and balanced.
âWho was that?â Amelia asked once the portrait had gone by.
âThe dowagerâs middle son,â Grace murmured. âHe died twenty-nine years ago.â
âWhy are they moving the portrait?â
âThe dowager wants it upstairs,â Grace replied, thinking that ought to be answer enough. Who knew why the dowager did
Jean-Claude Izzo, Howard Curtis