The Man from St. Petersburg
believed in planning and organization, which were anathema to many anarchists; but they did not realize that a man could plan his own actions—it was when he began to organize the lives of others that he became a tyrant.
    The train halted with a great sigh of steam. Feliks stood up and moved a little closer to the platform. Toward the far end of the train was what appeared to be a private car, differentiated from the rest by the colors of its bright new paintwork. It came to a stop precisely opposite Walden’s coach. The stationmaster stepped forward eagerly and opened a door.
    Feliks tensed, peering along the platform, watching the shadowed space in which his quarry would appear.
    For a moment everyone waited; then Orlov was there. He paused in the doorway for a second, and in that time Feliks’s eye photographed him. He was a small man wearing an expensive-looking heavy Russian coat with a fur collar, and a black top hat. His face was pink and youthful, almost boyish, with a small mustache and no beard. He smiled hesitantly. He looked vulnerable. Feliks thought: So much evil is done by people with innocent faces.
    Orlov stepped off the train. He and Walden embraced, Russian fashion, but quickly; then they got into the coach.
    That was rather hasty, Feliks thought.
    The footman and two porters began to load luggage onto the carriage. It rapidly became clear that they could not get everything on, and Feliks smiled to think of his own cardboard suitcase, half empty.
    The coach was turned around. It seemed the footman was being left behind to take care of the rest of the luggage. The porters came to the carriage window, and a gray-sleeved arm emerged and dropped coins into their hands. The coach pulled away. Feliks mounted his bicycle and followed.
    In the tumult of the London traffic it was not difficult for him to keep pace. He trailed them through the city, along the Strand and across St. James’s Park. On the far side of the park the coach followed the boundary road for a few yards, then turned abruptly into a walled forecourt.
    Feliks jumped off his bicycle and wheeled it along the grass at the edge of the park until he stood across the road from the gateway. He could see the coach drawn up to the imposing entrance to a large house. Over the roof of the coach he saw two top hats, one black and one gray, disappear into the building. Then the door closed, and he could see no more.

    Lydia studied her daughter critically. Charlotte stood in front of a large pier glass, trying on the debutante’s gown she would wear to be presented at court. Madame Bourdon, the thin, elegant dressmaker, fussed about her with pins, tucking a flounce here and fastening a ruffle there.
    Charlotte looked both beautiful and innocent—just the effect that was called for in a debutante. The dress, of white tulle embroidered with crystals, went down almost to the floor and partly covered the tiny pointed shoes. Its neckline, plunging to waist level, was filled in with a crystal corsage. The train was four yards of cloth-of-silver lined with pale pink chiffon and caught at the end by a huge white-and-silver bow. Charlotte’s dark hair was piled high and fastened with a tiara which had belonged to the previous Lady Walden, Stephen’s mother. In her hair she wore the regulation two white plumes.
    My baby has almost grown up, Lydia thought.
    She said: “It’s very lovely, Madame Bourdon.”
    “Thank you, my lady.”
    Charlotte said: “It’s terribly uncomfortable.”
    Lydia sighed. It was just the kind of thing Charlotte would say. Lydia said: “I wish you wouldn’t be so frivolous.”
    Charlotte knelt down to pick up her train. Lydia said: “You don’t have to kneel. Look, copy me and I’ll show you how it’s done. Turn to the left.” Charlotte did so, and the train draped down her left side. “Gather it with your left arm, then make another quarter turn to the left.” Now the train stretched out along the floor in front of

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