The Marching Season
telephone directory seemed to list—handled the work.
    Rumors about the extensive damage swept over the island. Harry Carp, the crimson-faced owner of the hardware store in the Heights, had heard there were a dozen bullet holes in the walls of the sitting room and the kitchen. Patty McLean, the checkout girl at the Mid-Island Market, heard the bloodstains in the guest cottage were so extensive the entire floor had to be replaced and the walls repainted. Martha Creighton, the island’s most prominent real estate broker, quietly predicted Cannon Point would be on the market within six months. Clearly, Martha murmured over her cappuccino at the village coffeehouse, the senator and his family would want to make a fresh start somewhere else.
    But the senator and his daughter, Elizabeth, and his son-in-law, Michael, decided to stay on. Cannon Point, once open and accessible, assumed the air of a settlement in occupied territory. Another obscure contractor descended on the property, this time to erect a ten-foot brick and iron fence and a small clapboard gingerbread hut at the entrance for a permanent security guard. When the work was complete, a second team arrived to litter the property with cameras and motion detectors. The neighbors complained that the senator’s new security measures disrupted views of Dering Harbor and the Sound. There was talk of a petition, some grumbling at a village council meeting, even a nasty letter or two in the Shelter Island Reporter. But by summer everyone had become used to the new fence, and no one could remember why anyone was upset about it in the first place.
    “You can hardly blame them,” Martha Creighton said. “If he wants a fucking fence, let him have a fucking fence. Hell, I’d let him build a moat if he wanted one.”
    Of Michael Osbourne, little was known on the island. He was thought to be involved in business of some sort, international sales or the murky world of consulting. He usually kept to himself when he and his wife, Elizabeth, came out to the island for the weekend. When he ate breakfast at the Heights pharmacy, or stopped at the Dory for a beer, he always brought a few newspapers for protection. Attempts at polite conversation were gently rebuffed; something of grave importance always seemed to be pulling his gaze back to his newspapers. The island’s female population found him attractive and forgave his coolness as a manifestation of some inner shyness. Harry Carp, known for his plain speaking, routinely referred to Michael as “that rude sonofabitch from the city.”
    The shooting had softened opinions of Michael Osbourne, even Harry Carp’s. According to the rumors, he had nearly died from a gunshot wound several times that night—once on the dock at Cannon Point, once in the helicopter, once on the operating table at Stony Brook hospital. After his release he remained inside the house for a time, but soon he could be spotted gingerly walking the grounds, his right arm in a sling beneath a battered leather bomber jacket. Sometimes he could be seen standing at the end of the dock, gazing into the Sound. Sometimes, usually in the evening, he would seem to lose himself and stay there—like Gatsby, Martha Creighton would say—until the last light was gone.
    “I don’t understand why the traffic is so heavy in the middle of January,” Elizabeth Osbourne said, drumming the nail of her forefinger on the leather center armrest. They were crawling east on the Long Island Expressway, through the town of Islip, at thirty miles per hour.
    Michael had been retired from the Central Intelligence Agency for a year, and time meant little to him—even time wasted in traffic. “It’s Friday night,” he said. “It’s always bad on Friday night.”
    The traffic thinned as they drove east from the mid-island suburbs. The night was clear and bitterly cold; a bone-white three-quarter moon hovered just above the northern horizon. The road opened before him, and Michael

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