he smiled impulsively, drew out his pocketbook, and wrote down a few words by the aid of the light in the window. He tore out the leaf, folded and directed it, and seemed about to throw it in through the open sash upon the dining–table; but, on second thoughts, edged himself through the loiterers, till he reached the door of the hotel, where one of the waiters who had been serving inside was now idly leaning against the doorpost.
"Give this to the Mayor at once," he said, handing in his hasty note.
Elizabeth–Jane had seen his movements and heard the words, which attracted her both by their subject and by their accent—a strange one for those parts. It was quaint and northerly.
The waiter took the note, while the young stranger continued—
"And can ye tell me of a respectable hotel that's a little more moderate than this?"
The waiter glanced indifferently up and down the street.
"They say the Three Mariners, just below here, is a very good place," he languidly answered; "but I have never stayed there myself."
The Scotchman, as he seemed to be, thanked him, and strolled on in the direction of the Three Mariners aforesaid, apparently more concerned about the question of an inn than about the fate of his note, now that the momentary impulse of writing it was over. While he was disappearing slowly down the street the waiter left the door, and Elizabeth–Jane saw with some interest the note brought into the dining–room and handed to the Mayor.
Henchard looked at it carelessly, unfolded it with one hand, and glanced it through. Thereupon it was curious to note an unexpected effect. The nettled, clouded aspect which had held possession of his face since the subject of his corn–dealings had been broached, changed itself into one of arrested attention. He read the note slowly, and fell into thought, not moody, but fitfully intense, as that of a man who has been captured by an idea.
By this time toasts and speeches had given place to songs, the wheat subject being quite forgotten. Men were putting their heads together in twos and threes, telling good stories, with pantomimic laughter which reached convulsive grimace. Some were beginning to look as if they did not know how they had come there, what they had come for, or how they were going to get home again; and provisionally sat on with a dazed smile. Square–built men showed a tendency to become hunchbacks; men with a dignified presence lost it in a curious obliquity of figure, in which their features grew disarranged and one–sided, whilst the heads of a few who had dined with extreme thoroughness were somehow sinking into their shoulders, the corners of their mouth and eyes being bent upwards by the subsidence. Only Henchard did not conform to these flexuous changes; he remained stately and vertical, silently thinking.
The clock struck nine. Elizabeth–Jane turned to her companion. "The evening is drawing on, mother," she said. "What do you propose to do?"
She was surprised to find how irresolute her mother had become. "We must get a place to lie down in," she murmured. "I have seen—Mr. Henchard; and that's all I wanted to do."
"That's enough for to–night, at any rate," Elizabeth–Jane replied soothingly. "We can think to–morrow what is best to do about him. The question now is—is it not?—how shall we find a lodging?"
As her mother did not reply Elizabeth–Jane's mind reverted to the words of the waiter, that the Three Mariners was an inn of moderate charges. A recommendation good for one person was probably good for another. "Let's go where the young man has gone to," she said. "He is respectable. What do you say?"
Her mother assented, and down the street they went.
In the meantime the Mayor's thoughtfulness, engendered by the note as stated, continued to hold him in abstraction; till, whispering to his neighbour to take his place, he found opportunity to leave the chair. This was just after the departure of his wife and Elizabeth.
Outside
Legs McNeil, Jennifer Osborne, Peter Pavia