The Other Hollywood by Legs McNeil, Jennifer Osborne, Peter Pavia Read Free Book Online

along if you wanna meet her. Her name is Utta. She’s from Germany.”
    I go meet her—and my God, she was beautiful. Aww, she was gorgeous; blond hair, German, big tits. I said, “Holy shit. How much you gonna pay me to do this?”
    He said, “A hundred bucks.”
    I thought, “I’m the luckiest guy in the world!”

Vickie Killed the Nudie-Cuties
    MIAMI
1970–1971
    BUNNY YEAGER : If Chuck Traynor called me and said, “I have a pretty girl for you to shoot,” I knew she would be pretty. But then he brings over this girl, Linda Boreman—and the trouble with Linda was that she was flat chested. Not that there’s anything wrong with small bosoms, but what I’m thinking is, “I can’t sell her.”
    Another thing: I didn’t want to bring this up, but Linda had a scar all the way down the middle of her chest. But I shot her anyway, more as a favor to Chuck.
     
    CHUCK TRAYNOR : I’d made a big mistake with the Las Vegas Inn because in Florida, if you owned a bar, you had to have a P.I.C. card, which stands for “Person in Charge.” And the person with the P.I.C. card—could be one of the girls or a manager—had to be there all the time.
    Well, the ATF came in once, and nobody had a card. So they closed me up.
     
    LINDA LOVELACE : At that point, Chuck wanted me to go out in the streets and pick up girls to get them to work for his prostitution business. And I was not very good at that at all. I thought, unconsciously, “Well, he’s finally going to get rid of me.”
    He told me that I was a failure at what I was doing, but he didn’t get rid of me. Chuck decided that moviemaking was his next step.
     
    BUNNY YEAGER : It was while we were doing our second film, Sextet, when Chuck called and asked, “Can’t you use Linda in the film?”
    I said, “Well, we’ve got everybody that we need, but I guess we could throw her in as an extra…”
    So you have to look fast to catch her. She’s just sitting on some guy’s lap on a couch during a party scene. And I only used her because of Chuck.
     
    CHUCK TRAYNOR : Linda just hung in and hung in after the ATF closed the Las Vegas Inn, so I said, “You know, we should make porno movies or something.”
    I had an old Bolex Double-A film camera that shot sixteen-millimeter film. You shot one side, then turned it over, and shot the other side. Then the lab cut it in half, and you had two eight-millimeter films.
     
    LENNY CAMP : One time me and Sam Menning, a guy from New York, were making a nudie-cutie film in some condo in North Miami Beach. It was strictly simulated sex, soft-core, because it was 1971, and nobody was doing hard-core then, except for loops.
    We had this biker from Homestead, Florida, doing the film with his girlfriend, some girl named Vickie. Since it was soft-core, the guys weren’t allowed to get erections when we were shooting. But while we were taking a break, her boyfriend got an erection, and Vickie says, “Watch this.”
    She started at the top and went right down to the bottom. And that was the first time I’d ever seen deep throat.
    And I was like, “Oh my God; I can’t believe this!”
     
    VULTURE (SOUTH FLORIDA MOTORCYCLE GANG MEMBER) : Almost all of us bikers were all hanging out with strippers because we were partying all night, getting high all night, and sleeping all day, you know? So the best kind of girlfriend to have, for us, anyway, was a stripper because then she’d be off working, making the money, while we was out whoring around!
    Plus, you could throw her on the back of your bike, and if you wanted to go to Atlanta, or New Orleans, or whatever, there was always some strip clubs she could work at. So you could stay on the road as long as you wanted and not have to worry about the money situation.
     
    LENNY CAMP : Vickie was so amazing that Sam Menning made a phone call to some money guy who told him to film her doing it. But Vickie’s biker boyfriend didn’t want her to do it, so Vickie slipped me her phone number