always unwelcome according to Bill.
Paul leans forward, draping his arms over the seat between Bill and me. The first and second fingers of his left hand are stained a rusty yellow from years of roll-your-owns. âJackoâs mate,â he says, hooking his right thumb back at the passenger sitting next to him (in case weâd somehow missed the fact that Jackoâs riding in the twin-cab with us), âfrom out west,â Paul continues, ânear Lake whatâs-its-name.â
Paul pauses a moment, but Jacko doesnât offer up the name of the lake. Itâs always like this. If Paul wasnât with us, the two-hour drive would go by in silence. But Paulâs a talker. Bill says that Paulâs the kind of bloke who sees a gap in the conversation and just has to fill it.
âYou see him, Tom?â he asks me, when it is obvious that Bill has lost interest.
I shrug indifference and resume staring out the window. If I wanted, I could tell him that I saw a strange guy loitering around the pie shop. Saturday afternoon, while I was waiting for Jonah. Tall, red hair. Walked like he had ridden a horse all his life. Papa says a horse spoils a man. Iâm not sure what that means.
Instead I say nothing. I like Paul. Iâve known him most of my life. It would be so easy to chat about the new guy; make guesses about what heâs doing in town. But it would only make Bill edgy. Bill likes to be the one in the know. If I piped up, Bill would wonder why I hadnât told him first. Then he would question me about it; why I had kept it to myself. Stupid, really. Just a stranger standing outside the pie shop. But Bill can make a mountain out of any molehill, no matter how small.
âJacko reckons he used to have family. The Fischers would be my guess, if his red hair is anything to go by.â
Shake Fischer. I think he was in the year below me. I didnât know him that well, but Iâd chat to him every now and then. He had one blue eye and one brown eye. Apparently it ran in his family. That and the red hair. Shake was a nickname. Iâve no idea how he got it.
âYou know the Fischers, Tom?â asks Paul, tapping my shoulder.
âI knew them,â I answer. âTheir house was in Keen Street, below the marker.â The flood sign in Keen Street had been incorrectly positioned at the high end of the road. No one had bothered to move it because, back then, it never rained. People thought it was funny.
âThatâs right,â says Paul, putting two and two together. âPoor bastards.â
âJesus, Bunter,â says Bill, âcould you get any more depressing?â
âSorry, mate,â says Paul to Bill. Then the penny drops. âOh, shit, Tomâ¦â
âItâs okay,â I say. But thereâs a lump in my throat and suddenly Iâm crying.
âOh, Christ,â says Bill.
I turn my face to the passenger window and watch the view speed past. Paul starts to say something, but thinks better of it and instead gives my shoulder the briefest of squeezes before slumping back in his seat. A minute later, the cabin is filled with cigarette smoke. No one speaks for the rest of the trip.
Finally we turn onto Minbayon Falls Road. The gravel has recently been graded, promising a smooth, if dusty, ride. Bill tunes the radio and I fall asleep.
Iâm in someoneâs house. It is beautifully furnished; everything looks like it belongs in a magazine. I am standing at the door to the lounge room and there is a woman, fast asleep, in bed. The bed is out of place among the sofas and lounge chairs. I wonder if the woman is ill.
There are two other people in the room; an old woman and a young girl. The old woman is reading and the girl is playing with something on the floor. They ignore me. Maybe Iâm invisible. I enter, close the door behind me, walk past the bed and across the room to the windows. Every step I take makes a squelching sound
Lex Williford, Michael Martone