first startthinking youâd like to work in this business and you tell your parents and they freak out, theyâre freaking out because theyâre thinking of men like Garrett Rice.â
âCan you think of any reason why he might need a bodyguard?â
âYouâre kidding me.â
âNope. Guy named Cleon Tyner. Heâs pretty good. Not world class, but okay in a bar. Somebody put a couple of marks on Mr. Rice and scared him. Ergo, Cleon.â
Patricia thought about it, then laid a finger alongside her nose. âIâve heard thereâs some of this.â
âCocaine.â
âJust talk. I donât know for sure. Garrett has this reputation. He came on to one of the girls here by offering her a toot, that kind of thing.â
I saw him closing the drawer, closing the briefcase. âMort, too?â
She looked surprised. âI wouldnât think so.â
âOkay, thatâs Garrettâs problem. Mort ever mention any friends, anyone he mightâve been close to?â
âNot that I remember. I can ask the other people here. Iâll call a friend at Universal Casting and he can ask around over there.â
I unfolded the 8Ã10 of Kimberly Marsh. Patricia looked at it, turned it over and read the résumé, then shook her head. âSorry.â
âIf Mort Calls, will you try to get a number and let me know?â
âYou going to tell me what this is about?â
âMortâs peddling government secrets to the Arabs.â
She stuck her tongue at me.
âTell me the truth,â I said. âDo I look like John Cassavetes twenty years ago?â
âI didnât know you twenty years ago.â
Everyoneâs a comedian. I stood up and went to the door.
âItâs too bad about Mort,â she said. âI remember when he was with ICM. He was well-placed. He had a fair clients list.â She leaned back, putting her feet on her desk. She was wearing dark blue Espadrilles and tight Jag jeans. âYou only start dealing with a Garrett Rice when youâre scared. Itâs the kiss of death. A guy like Garrett Rice, he rents space over at TBS but he couldnât get a deal with Warners or Columbia. Nobody wants him around.â She frowned. âI met Mort twicemaybe a year and a half ago when he was with ICM. He seemed like a nice man.â
âYeah, theyâre all nice men. This business is rife with nice men.â
âYouâre a cynic, Elvis.â
âNo, Iâve just never met anyone in this business who believed in anything worthwhile and was willing to go the distance for it.â
âOh, foo,â she said. Thatâs one of the reasons I like her, she said things like âoh, foo.â She slapped her desk, then got up and came around and punched my arm. âHey, when are you going to come to the house for dinner?â
âThen Iâll have to meet your boyfriend.â
âThatâs the idea.â
âWhat if I donât approve?â
âYouâll lie and tell me heâs the greatest thing in the world.â
I squeezed her butt and walked out. âIt works like that, doesnât it.â
7
I pulled up at Ellen Langâs house at ten minutes before noon. She came to the door in cutoffs, bare feet, and a manâs white-with-blue-stripes shirt tied at the waist. Her hair was done up in a knot. âOh, God,â she said. âOh, God.â
I smiled serenely. âTo some, yes.â
âI wasnât expecting you. Iâm not dressed.â
I went past her into the living room. The books and records were back on their shelves and most of the furniture was righted and in some semblance of order. There was a staple gun and packaging tape by the big couch, which was still upside down. Too heavy for her. I whistled. âYou do all this by yourself?â
âOf course.â
âWithout Janet?â
She flushed and touched her