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The artifice succeeded. Hera, incensed at the idea of a rival, flew to meet the procession in great anger, and seizing the supposed bride, she furiously attacked her and dragged off her nuptial attire. Her delight on discovering the deception was so great that a reconciliation took place, and, committing the image to the flames, with joyful laughter she seated herself in its place and returned to Olympus.
Hera was the mother of Ares (Mars), Hephaestus, Hebe, and Eileithyia. Ares was the god of War; Hephaestus, of Fire; Hebe, of Youth; and Eileithyia presided over the birth of mortals.
Hera dearly loved Greece, and indeedalways watched over and protected Greek interests, her beloved and favourite cities being Argos, Samos, Sparta, and Mycenae.
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Her principal temples were at Argos and Samos. From a remote period she was greatly venerated at Olympia, and her temple there, which stood in the Altis or sacred grove, was five hundred years older than that of Zeus on the same spot. Some interesting excavations which are now going on there have brought to light the remains of the ancient edifice, which contains among other treasures of antiquity several beautiful statues, the work of the famous sculptors of ancient Greece. At first this temple was built of wood, then of stone, and the one lately discovered was formed of conglomerate of shells.
In the Altis races were run by young maidens in honour of Hera, and thefleetest of foot received in token of her victory an olive-wreath and a piece of the flesh of the sacrifices. These races, like the Olympic Games, were celebrated at intervals of four years, and were called Herae. A beautiful robe, woven by sixteen women chosen from the sixteen cities of Elis, was always offered to Hera on these occasions, and choral songs and sacred dances formed part of the ceremonies.
Hera is usually represented seated on a throne, holding a pomegranate in one hand and a sceptre surmounted by a cuckoo in the other. She appears as a calm, dignified matron of majestic beauty, robed in a tunic and mantle, her forehead is broad and intellectual, her eyes large and fully opened, and her arms dazzlingly white and finely moulded.
The finest statue of this divinity was that by Polycletus at Argos.
Her attributes are the diadem, veil, sceptre, and peacock.
The first day of every month a ewe-lamb and sow were sacrificed to Hera. The hawk, goose, and more particularly the peacock were sacred to her. Flocks of these beautiful birds generally surround her throne and draw her chariot, Iris, the Rainbow, being seated behind her.
Her favourite flowers were the dittany, poppy, and lily.
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Juno
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Juno, the Roman divinity supposed to be identical with the Greek Hera, differed from her in the most salient points, for whereas Hera invariably appears as the haughty, unbending queen of heaven, Juno, on the other hand, is revered and beloved as the type of a matron and housewife. She was worshipped in Rome under various titles, most of which point to her vocation as the protectress of married women. Juno was believed to watch over and guard the life of every woman from her birth to her death. The principal temples dedicated to her were in Rome, one being erected on the Aventine, and the other on the Capitoline Hill. She had also a temple on theArx, in which she was worshipped as Juno Moneta, or the warning goddess. Adjacent to this shrine was the public mint. On the 1st of March a grand annual festival, called the Matronalia, was celebrated in her honour by all the married women of Rome, and this religious institution was accompanied with much solemnity.
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Pallas-Athene (Minerva)
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Pallas-Athene, goddess of Wisdom and Armed Resistance, was a purely Greek divinity; that is to say, no other nation possessed a corresponding conception. She was supposed, as already related, to have issued from the head of Zeus himself, clad in armour from head to foot. The miraculous
Rebecca Hamilton, Conner Kressley