what you should be doing, youâve already done most of it.â
âSomeone once said that experience is a comb that life gives you when youâve lost your hair.â
âWell, he bloody hit the nail on the head, Bill, that bloke ... whoever he was.â Trevor cast a mournful eye at his friend. âMind you, youâre doing all right in that respect. Youâve still got some hair.â
âWhite, though.â
âIf Iâd got as much hair as you have, you wouldnât find me being picky about the colour. Anyway, if it bothers you, you could dye it.
âIt doesnât bother me that much. Anyway, I donât want to go around with copper-beech-coloured hair.â
âHmm?â
âThatâs what always happens. Think of the men you know whoâve got dyed hair. Why is that while womenâs hair colouring can range through every subtone of the natural palette â not to mention the unnatural one â menâs dyed hair always ends up the colour of copper beech?â
âI donât know.â Trevor shook his head, apparently unwilling to pursue this interesting philosophical question. He took a long swallow from his pint, and looked dolefully around the bar. âAlcohol speeds things up,â he said.
âSorry? Youâve lost me.â
âWhat I was talking about earlier. We all need things that speed time up. Alcohol serves that purpose. Lifeâs being a real drag, you canât believe how slowly the minute handâs moving ... then you have a few drinks, and â bang â thatâs a whole evening disappeared. Five hours have gone without you noticing them.â
âAre you saying thatâs a good thing, Trevor?â
âToo bloody right I am. Think of the alternative.â
âWhich is ...?â
âEvery minute has taken a full bloody minute to go by. Sixty bloody seconds every time. Not even a fifty-nine second minute. You have to go the distance on every bloody one of them.â
âWhy is that so terrible?â
âBecause itâs real. Full frontal reality. Not good for you. Humankind, it has been observed by one wiser than me, cannot bear very much reality. I know I canât.â
âBut why not?â
âBecause the real world is so bloody depressing.â Trevor raised his pint mug and peered through it. âThatâs why I can only survive by looking through beer-tinted glasses.â
Early in every conversation with Trevor there came a reminder that he was a depressive. Bill, whoâd never experienced the condition, could sympathise, but not empathise. And secretly he reckoned his friend got a lot of mileage out of his depression. The drinking was justified on the grounds that he was a depressive; so was his appalling lack of responsibility in the matter of women. No bad behaviour was the fault of Trevor Rainsford; it was always the fault of whatever malign deity had made Trevor Rainsford a depressive.
As ever, the mention of his depression seemed to lift it a bit. He raised his glass again, this time to Bill. âCongratulations.â
âOn what?â
âOn being unmarried.â
âI donât think Iâm un married.â
âThen what are you?â
âWell ...â
âAre you married?â
âNo.â
âThen youâre unmarried. By definition.â
This didnât seem right, but Bill couldnât fault the logic.
âAnd a good thing too,â Trevor went on.
âWhat is?â
âThat you got away from Andrea.â
âBut why?â
âBecause you were so unsuited to each other. Everyone could see that.â
Everyone except me, thought Bill. He was getting a little miffed about the way everyone was getting at his marriage. Ginnie ... Carolyn ... now Trevor ... not to mention Andrea herself. Was he the only person in the wide world who thought theyâd had a vaguely workable marriage? Apparently