period on Friday. She was usually fashionably late to class, but sheâd had so much on her mind this week that it was worse than usual.
âCutting it close, Miss Jalali,â said Mr. Granger, but she could tell he was mostly teasing. Mr. Granger was one of the youngest teachers in school, just a year or so out of college. He couldnât even pretend to have an authoritarian air when his students were only five years younger than him.
Ava turned her thousand-watt smile on her teacher. âSorry, Mr. Granger. Vending machine emergency. Sour Patch Kids are back in stock, everyone!â
A ripple of laughter cut through the classroom. Her boyfriend, Alex, craned around from the seat in front of her and winked. A different teacher might have gotten mad, but that was what Ava liked about Mr. Grangerâand why she knew she could get away with this stuff. He just gave her a dry smile.
âWell, now that our candy-shortage crisis has ended, we can focus on what weâre here to do.â Mr. Granger picked up a piece of chalk and started to write in sloppy handwriting across the chalkboard: MORALITY AND ETHICS IN CRIME FILM . âWeâre starting a new unit today.â
Ava flipped her notebook to a blank page and poised her pen to take notes, ready to think about something other than Nolan. His picture was plastered every two feet in the hallways, and sheâd barely made it through the assembly yesterday. Advanced film studies was her favorite classâsheâd originally signed up because it sounded like an easy A, a chance to watch movies all semester, but sheâd ended up really getting into the classic films they watched. So far, theyâd talked about representations of women in early monster movies, the way World War IIâera Bugs Bunny cartoons had been used as American propaganda, and identity and trauma in psychological thrillers. There was so much to learn. Under the glitzy, glamorous surface of the simplest popcorn flick, there were often hidden depths of meaning.
Just like with her, she thought.
Ava hadnât always taken school seriously. Her freshman year, sheâd thought studying was for losers. Nerds. Geeks. Uglies. Ava was gorgeous, and she knew it. Half Iranian and half Irish, she had striking almond-shaped eyes, smooth caramel-colored skin, and a long-limbed figure with impressive curves. Sheâd even worked a few modeling gigs, posing for an upscale makeup company based in Seattle and shimmying into skintight designer jeans for a department storeâs ad campaign. Who cared about getting into Yale or Stanfordâmaybe she didnât even need to go to college.
Then her mom had died, hit by a drunk driver one night on her way home from campus. Her mom had always insisted that Ava was smarter than her report cards. Every time Ava brought home another mediocre test score, Avaâs mom defended her to her dad: âSheâs figuring out who she is, Firouz. She obviously has a great role model for how to be brilliantââshe pointed to herself ironicallyââbut no one around here can show her how to be brilliant and beautiful at the same time. Thatâs a burden only she can bear.â Avaâs dad would laugh, and the storm would pass.
In the void after her momâs death, Ava had found herself wanting to study for the first time. And it turned out her mom was rightâshe was smart. Her dad noticed the change in her behavior and her GPA, and constantly told her how proud he was. Teachers began to take her seriously.
That is, until Nolan Hotchkiss sent all her hard-won efforts crumbling to sand.
âThe crime genre is one thatâs changed shape dozens of times over the years, always morphing to provide a commentary on the moral stance Americans take at any given point in time.â Mr. Grangerâs voice pulled Ava back to the present. âA lot of crime movies investigate the idea of a gray area of morality, where