Hampshire.”
“Your employee file states that you attended Barry University and New York University.”
“That’s right.”
“How long have you been in Florence?”
“I spent a year here while I was finishing my master’s degree from NYU. Then I returned three years ago while I was writing my dissertation. When I graduated last year, Professor Urbano hired me to work for him at the Opificio.”
Batelli’s eyes narrowed. “I thought Professor Urbano worked at the Uffizi.”
“He does, but only on contract. He runs a lab at the Opificio, which is a world-renowned restoration institute. He was hired by the Uffizi, along with his team, to work on a single project. I’m part of that team.”
“So you have a Ph.D. in art history and conservation?”
She squirmed. “And restoration. I was trained in both, but focused on restoration for my dissertation.”
“Interesting,” he said. “How is this restoration work done?”
“We begin by doing scientific research on the artwork. There’s a lab in the Fortezza da Basso where we use microscopes, spectrophotometry, and X-ray machines. Sometimes we use ultraviolet rays or infrared photography. We also do archival work, comparing previous restoration and conservation attempts with current scientific findings.”
The inspector stared. “You do all these things?”
“I help where needed, but on this project I spent most of my time removing layers of varnish from the painting so we could get at the paint beneath. Then, someone more accomplished than me fixed the cracks and flaking in the original paint. This week, we’re supposed to start applying a transparent varnish to the artwork in order to protect it. Because of the size of the piece and its age, this process could take months.”
Batelli nodded.
“Professor Urbano says you were absent from work all week and that you didn’t call in. Where were you?”
“At home, I guess.”
“You guess? You don’t know?” The officer’s tone was no longer casual.
She didn’t answer, for truthfully, she didn’t know what to say.
“Is it common for you to disappear from work for a week and not remember where you were?”
“No.” Unconsciously, her fingernails began digging into the palms of her hands.
“Where were you?”
“I don’t remember.”
Batelli exchanged a look with Agent Savola.
“Where were you yesterday?”
“I don’t know.”
“But you remember going home after the party?”
Raven closed her eyes, sifting through her memories. “I remember saying good-bye to Patrick and leaving Gina’s party. I remember starting to walk home.”
She opened her eyes. “That’s it.”
“Tell me, Dottoressa Wood, do you drink?”
She shrugged. “I’ll have a glass of wine when out with friends. But no, I don’t really drink.”
“What about drugs?”
“Drugs?” she repeated, her body growing noticeably tense.
“Do you take drugs or medication?”
“Sometimes I take pain pills for my leg, but I have a prescription for them.”
Batelli’s gaze dropped to her leg. “Do you ever take too many pills?”
“No.” She clasped her hands together, trying not to twist them in her lap.
“What about other drugs—cocaine, marijuana, ecstasy?”
“I don’t do drugs.”
“Tell the truth.” Batelli gave her a hard look. “You go to a party. You miss work for a week. Somehow, during your absence, the Uffizi is robbed. Make this easier on yourself and tell us what really happened.”
“I told you. I don’t remember.”
“This can become very unpleasant if you lie to me.” His tone grew sharp.
“I’m telling you the truth!” She raised her voice, momentarily startling the two agents.
The inspector leaned closer.
“Where were you last week?”
“I don’t know.”
“Where were you yesterday?”
“I don’t remember.”
He slammed a fist down on the table. “Where were you last night?”
A hazy swirl of colors danced before her eyes, accompanied by a low whisper.