remove the panel. He found a pry bar and a claw hammer and carried them through the back door, setting them on the floor of the service porch.
When had the basement been sealed? He didn't remember any doorway when he had been a frequent visitor to the Wal-tiri house, almost six years ago, Earth time.
But he hadn't been in the service porch often, either.
Could the door have been sealed during the five years he was away, after Golda's death? Or had Waltiri sealed it himself?
Here was his chance, he thought. He knew there was something unusual in the basement. When a man — or a mage — like Waltiri sealed a doorway off, there had to be good reason. At any rate, Michael could have his father witness the opening, see whatever there was to see, and perhaps then be prepared for the entire story…
But if the basement held something dangerous, then Michael did not want his father present. John could not throw a shadow or use any other tricks to escape.
He ran his hand over the panel again, feeling it carefully not for secret latches but to gather some sensation, a clue. He concentrated on what lay behind, closing his eyes and pressing his palm flat against the wood.
Nothing.
But then, the Crane Women had not gifted him with the boon of prescience or second sight. No guiding voices gave him clues, ambiguous or otherwise.
Taking pry bar in hand, he began to remove the trim from the panel edge, cringing at the squeak of nails being forced out. With the strips removed, he inserted the bar in the gap between panel and wall frame and shoved.
The panel held; he succeeded only in bruising his palms. He tried again, with no better result, and moved the bar to another vantage.
After several minutes of fruitless effort, he noticed that the panel was wobbling a bit in its seat and that the nails holding it fast had poked their heads a fraction of an inch above the surface. With the claw hammer, he removed one of the upper-corner nails and put the bar there, shoving against it with all his might. For this he was rewarded with a groan of wood and a half-inch of give, as well as several more nailheads ready for the claw.
In ten minutes, he had loosened the panel sufficiently to grip it with both hands. He pulled it suddenly free and fell back against the washing machine. Propping the heavy three-quarter-inch plywood panel in the kitchen doorway, he surveyed what was revealed: a door, pristine white, like virtually every other interior door in the house, with a brass knob instead of crystal and a perfectly innocent air.
There was a lock beneath the knob, and in the lock, a key.
Michael reached out and twisted the key and then the knob, and the door opened smoothly inward, revealing darkness. Dry, stale air wafted out, tangy with dust. There was also a sweet, flowery fragrance, somehow familiar, overlaid by an odor richer and less easily described. He pocketed the key.
On the right wall was a push-button switch. He flicked it, and at the base of a steep flight of stairs, a bare, clear bulb cast a dour yellow glow.
Michael walked down the first flight, turned the corner, and peered into the half-lit gloom below. At the end of a second flight of steps, at right angle to the first, was a cubicle barely four yards square, with a low roof. The cubicle was filled with boxes, some of them covered by a dark fabric tarp. To his right, cramped close to the steps, sat a large black armoire. Michael wondered how such a bulky piece of furniture could have been brought into the basement.
He descended the four final steps, his shadow falling huge across the boxes. The light was in such a position that he could see almost nothing in front of him, since his shadow obscured anything he approached.
He turned toward the armoire and opened one door. The interior, barely visible, was filled with small boxes stuffed with papers. He pulled out a drawer and found more papers: envelopes, packets tied with string, a small wooden cigar box stuffed full
Shauna Rice-Schober[thriller]