The Sisters

The Sisters by Claire Douglas Read Free Book Online Page B

Book: The Sisters by Claire Douglas Read Free Book Online
Authors: Claire Douglas
didn’t disappoint them. I, on the other hand, only ever aspired to the local poly, although I think I surprised everyone, myself included, when I got into Cardiff to study journalism.
    Lucy would have walked into this party with her head held high, as if she belonged in this world of wealth and art and I would have followed, her confidence rubbing off on me like body glitter.

    ‘Beatrice, my pretty darling,’ booms a loud voice and a big bear of a man with a frizzy beard, who looks to be at least fifty years old, parts the crowd. ‘I’m so glad you could make it.’ He’s wearing a dazzling print shirt that’s open at the neck and strains over his ample stomach. They busily air-kiss each other and then turn to me. ‘So, this is Abi,’ he says, his chocolate brown eyes meeting mine. ‘I’ve heard a lot about you. I’m Monty.’ He gives my hand a hearty shake. ‘Come and get a drink.’
    They walk off together, leaving me trailing behind them. I can see the strap of a blood-red bra poking out of Beatrice’s black vest top and cutting into the flesh of her shoulder. I can’t quite catch what they are saying above the boom of the music.
    We reach a huge, high-ceilinged drawing room with white walls, the coving and Georgian shutters painted a lead grey. Monty thrusts a glass of something orange into my hand and then resumes his conversation with Beatrice and I’m hit with a twinge of jealousy that he’s taking up so much of her time. I take a gulp of my cocktail; it’s so strong the alcohol burns the back of my throat, coating my anxiety, and before I know it I’ve finished the glass and taken another one from the tray of a passing waiter. I feel light-headed as my eyes sweep the room, noticing the many gilt-framed oil paintings of scantily clad, angelic-faced men and women, almost like modern versions of Botticelli, that adorn the walls. I recognize the paintings as being Monty’s own work. Beatrice had shoved a leaflet from his most recent exhibition under my nose while we were in the taxi on the way here. His paintings aren’t to my taste.

    I catch snippets of conversations about artists I’ve never heard of or books I’ve never read, and I’m reminded of the parties in London that I attended with Nia and Lucy. They were similar to this; glossy, monied people, effortlessly cool and confident. But I didn’t mind that I never quite fitted in, because I had Nia and Lucy, and we usually only went along for a laugh and a free goody bag.
    A cluster of thirty-somethings are dancing rather self-consciously in the corner to Happy Mondays. I turn my attention back to Beatrice, relieved when I see Monty drifting away from her to talk to an elegant woman in her mid-sixties. Beatrice raises her eyebrows at me and wrinkles her nose. ‘Is that woman wearing a real fur stole?’ she giggles. ‘Look, it’s even got a head.’ She seems to find this hilarious and I stare at her, perplexed; how many cocktails has she been plied with? ‘Come on, let’s go and explore,’ she says. ‘I’ve always wanted to have a nose around Monty’s place.’ She takes my hand and we make our way through the different rooms, all as huge and elaborate as the drawing room and filled with people drinking cocktails or champagne. It’s like being in a Stephen Poliakoff film.My heart pounds in my chest. Not with the usual anxiety but with a growing sense of exhilaration at being so near to Beatrice. Her confidence, her joy, is infectious. When I’m with her I experience that heady rush of adrenalin at being around someone who I admire so much. She makes me believe that I can do anything, be anyone.

    Giggling and clutching each other, we stumble across a small music room and dump our now-empty cocktail glasses on top of a glossy cream piano. ‘At last,’ sighs Beatrice as she leaps on to a Chesterfield leather sofa, dangling her long legs over the arm. ‘A room with nobody in it. There’s too many people at this party. And my

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