saccharine-sweet.
âIâm sorry. No, Iâm not - â He had to stop himself from slapping himself on the forehead.
âDid you kill someone?â
Davey spluttered over his coffee.
âWhy on earth would you think Iâd killed someone?â
âYou turned up here out of the blue, you were absolutely dead drunk, you were obviously running away in a hurry, your face is a fuckinâ mess and all youâve said since you got here is that youâre
sorryâ
She shrugged. âMurderâs not the onlyanswer, but itâs a good one.â
Davey stared at her in horror.
âSo,â she said, watching him with interest. âDid you?â
âNo, I didnât!â
âSure?â
âI think Iâd remember!â
âProbably,â she agreed. âYou could be lying. But I bet youâre a fuckinâ useless liar. Which would you rather be, a bad liar or a successful murderer?â
âWhat kind of a question is that?â asked Davey crossly.
âJust pick one.â
âBut why? Oh, alright then, a bad liar.â
âYouâd rather be bad at something than good at something?â Priss seemed disappointed. âDo you want some more porridge?â Without waiting for him to answer, she took his bowl and filled it again.
âThank you,â he said, surprised. She shrugged.
âKate told me to feed you. Thing is, the Holmesian method of deduction doesnât really allow for multiple possibilities. You
might
be a murderer on the run, but you might have come here âcos you like the view, got drunk âcos you think itâs cool, smashed up your face âcos you walked into a door, say sorry all the time âcos youâre an inadequate loser with no self-esteem, and only packed socks and
Alice in Wonderland
âcos you left your luggage at the station. What?â
âHow do you know what I brought?â
âI went through your bag, soft lad, to check you didnât have a gun.â
âWhy would I have a gun?â
âYou might have brought one with you.â
âYes, but why a g-g-g - â
âYou might have come to kill us.â
Davey was beginning to find Priss irritating.
âWell, you went through my stuff while I was asleep.
You
might have been planning to kill
me.â
âItâs not much of an MO, though, is it? Waiting in a housein the middle of nowhere for people to turn up so you can do âem over? Thatâs the problem with haunted-house horrors, isnât it? Youâre relying on the victims to show up. If you were, like, deeply compelled to kill, you wouldnât just sit inside hoping someoneâs carâll break down nearby. Youâd go out and find someone. Fuckinâ Hollywood, sacrificing credibility for a great set.â She seemed to have forgotten her original point, if sheâd even had one. âLike, I love
Psycho
, but how realistic is it that you could just get rid of your mother and no-one would notice sheâd gone, while still running a fully functioning motel?â
âDidnât he dress up as his mother?â Davey offered tentatively.
âYeah, I suppose. But that wasnât my point, okay? My point is, logically speaking itâs much more likely youâre going to hurt us than weâre going to hurt you.â She sighed, and scribbled on the edge of the table.
âKate told you not to do that,â said Davey, seeing a chance to attack.
âNo, she didnât. She told me to draw something
pretty.â
Priss invested the word with a profound scorn.
âAre you going to?â asked Davey, fascinated by the notion of a household where drawing on the furniture was allowed.
âNo I am fucking not. I donât believe in
pretty
. What a pointless goal to focus on. Prettyâs the biggest fuckinâ waste of time ever invented. Actually, no itâs not, the biggest waste of time is love.