The Taker
her to share her secrets with me.
    On a well-worn path, hidden in the shadow of the blacksmith’s forge, was a small cottage. If it was noticed at all, you might think it an outbuilding or a toolshed for the smithy, a place to store pig iron. It was far too ramshackle and tiny to be a house, yet it didn’t appear to be abandoned and the path to the front door grew more worn with time. Certainly no more than one person could live there, and customary law against solitary living still prevailed at the dawn of the nineteenth century in our bleak Puritan outpost (for Puritans we were, make no mistake about that; the fathers of the town had grown up in the Massachusetts territories and were accustomed to blending religion with governance). However, in this northernmost reach of what would become the state of Maine, the sole reason for the edict against solitary living was that of necessity: it was unthinkable that one person alone could perform the multitude of tasks it took to get by in this harsh environment. By contrast, in a more strictly Puritan town, no one was allowed to live alone because, in solitude, one might stray. One might do ungodly things. The edict against solitary living allowed for the policing of one’s neighbors, but the citizens of St. Andrew valued their independence and guarded their privacy a shade more fiercely.
    Someone did in fact live alone in that tiny house, a woman on the outer limit of her childbearing years, beautiful still, though faded. She rarely went out, but whenever she did venture onto the street in daylight, the townspeople gave her a wide berth. The men would contrive not to let their eyes meet hers, and the women would pull their long skirts aside. Some would glare outright at her.
    But at night, it was a different story. Under the cover of darkness she had regular visitors. Men—one at a time, more rarely a pair—would scurry up the path and knock politely on the aged door. If noone answered the knock, the visitor knew to take a seat on the step and wait, his back to the door, pretending not to hear whatever sounds came from within. Eventually, the sounds from the cottage would fade into murmurs of conversation, then silence, and within a minute the front door would open for the waiting visitor.
    Those who knew of her existence called her Magdalena. It was the name she’d given herself when she arrived in town seven years earlier. No one questioned the odd appellation at the time. She arrived with a small group of travelers from the French Canadian territory, and when they moved on, she stayed. She said she was a widow and had decided to relocate to more southerly climates, that is, if the towns-people of St. Andrew would let her stay.
    The blacksmith offered to convert his old shed into a tidy little abode and the good women of the village helped her to settle in, bringing her whatever precious scraps they could spare: a wobbly stool, an extra bit of tea, an old blanket. Husbands were sent over with firewood and kindling. When asked what she would do to support herself—needlework, spinning, weaving, perhaps? Was she a midwife, skilled with healing and nursing?—she merely smiled demurely and dropped her head as if to say, “Me? What skills could I have? My husband treated me like a porcelain doll. How should a poor unskilled widow make her way in the world?” The good wives walked away puzzled, clucking their tongues and shaking their heads, not knowing what to say except that God would provide for all his children, including this innocent woman who seemed to think boundless charity was to be found in this rugged, lonely town.
    As it turned out, she did not have to depend on charity. Mysteriously, sustenance appeared at her doorstep, unbidden. A crock of sweet butter, a bushel of potatoes, a jug of milk. Firewood piled outside the back door. And money—she was one of the few people in town who had actual coin, would count it out at the provisioner’s when she ordered her

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