them from photographs that my uncle Iago had made me memorize. They were both members of Fidel Perugachi’s band, the bass player and the bombo player to be exact. It appeared that Perugachi had brought his whole rhythm section. One crouched in a wet suit on the after deck, working with some cylinders and a B.C., readying the outfit for a dive. Every few seconds he’d glance aft, to make certain that bubbles were still rising from our decoy cylinder. The other Ayanca, in shorts, baseball cap, and a Pokari Sweat T-shirt he must have stolen from the wreck, stood forward of the pilothouse by the port rail, watching whatever was going on in the launch.
A pistol was stuck casually into his shorts at the small of his back, and I recognized the distinctive toggle of a German Luger. The century-old Luger had been the standard sidearm of the P.R.C. police until recently, and when it was replaced by another weapon, the thrifty Chinese had sold tens of thousands of Lugers all at once. Perugachi must have picked up this one in the Hong Kong or Macau black market.
At least Fidel Perugachi hadn’t been able to bring his own weaponry into China with him, and this gave me hope that his resources were fairly limited.
If I attacked the man with the Luger, it would be in full view of everyone on the launch; whereas the bombo player in the stern was crouched down out of sight. I gestured for Sztephen to be quiet, then slipped further into the cabin in search of a weapon. I suppose I could have slit the drummer’s throat with my little knife, but that seemed drastic, and I hated to set that kind of precedent unless I needed to.
I was considering one of the five-pound lead divers’ weights when I noticed that the drummer had his tool box open. Two crouching steps took me to the box, where I found a large wrench laid out neatly in its own compartment. Another two steps took me to the bombo player, who I promptly whanged behind the ear.
I probably hit him much harder than I intended to, as he only began to wake a couple hours later. Blame an excess of adrenaline if you will.
After checking my victim to see if he was still alive, I slipped to the rear corner of the boat, where a line had been tied holding the catamaran to the launch. I slipped the line off the cleat, then moved forward again, back to the pilothouse, where I had a quick whispered conversation with Sztephen about whether he felt he could steer the boat. He gave a quick scan of the instrument board and said that he could. The engines were idling, and all he had to do was put them in gear and shove the throttles forward.
As we hadn’t heard any shouts or complaints that we were drifting away from the launch, I surmised that there was another mooring line, and that this one was forward and under the supervision of the bass player.
I told Sztephen to shove the throttles forward when I yelled, then slipped out of the pilothouse on the port side, the side away from the launch. I intended to use the pilothouse for cover on the approach, come up behind the bass player, then pull his own pistol and stick it in his back. If Perugachi’s crew saw me at that point it wouldn’t matter, as I’d have a ready-made hostage.
It didn’t work out that way. I crept around the pilothouse and approached my target, using as cover a big galvanized storage compartment. I looked around the corner of the compartment and saw the bass player a few paces away. His back was to me, and he was chatting in Aymara with a man in the launch.
My heart gave a sudden thud against my ribs as I realized that this second man was Fidel Perugachi himself, and then another great knock as I saw Perugachi’s heavy-lidded demonic eyes drop from his bass player to look straight at me. I suddenly realized how hot it was inside my wet suit, and how odd that was considering it was still full of seawater.
Before the loathsome offspring of the Ayanca moiety could cry a warning, I crossed the deck in three strides and