The Terror

The Terror by Dan Simmons Read Free Book Online

Book: The Terror by Dan Simmons Read Free Book Online
Authors: Dan Simmons
Tags: Fiction, thriller
captain’s minute to look around. The circle of light from his lantern is weak, illuminating mostly the fog of his breath in the air. All around him is the labyrinth of crates, hogsheads, tins, kegs, casks, coal sacks, and canvas-covered heaps crammed deck-to-beams with the ship’s remaining provisions. Even without the lantern, Crozier could find his way through the dark and rat-screech here; he knows every inch of his ship. At times, especially late at night with the ice moaning, Francis Rawdon Moira Crozier realizes that HMS
Terror
is his wife, mother, bride, and whore. This intimate knowledge of a lady made of oak and iron, oakum and ballast, canvas and brass is the one true marriage he can and will ever know. How could he have thought differently with Sophia?
    At other times, even later at night when the ice’s moaning turns to screams, Crozier thinks that the ship has become his body and his mind. Out there — out beyond the decks and hull — lies death. Eternal cold. Here, even while frozen in the ice, there continues the heartbeat, however faint, of warmth and conversation and movement and sanity.
    But traveling deeper into the ship, Crozier realizes, is like traveling too deeply into one’s body or mind. What one encounters there may not be pleasant. The orlop deck is the belly. This is where the food and needed resources are stored, each thing packed away in the order of its presumed need, easy to hand for those driven down here by Mr. Diggle’s shouts and blows. Lower, on the hold deck where he’s headed, are the deep guts and kidneys, the water tanks and the majority of the coal storage and more provisions. But it’s the mind analogy that bothers Crozier the most. Haunted and plagued by melancholia much of his life, knowing it as a secret weakness made worse by his twelve winters frozen in arctic darkness as an adult, feeling it recently triggered into active agony by Sophia Cracroft’s rejection, Crozier thinks of the partially lighted and occasionally heated but livable lower deck as the sane part of himself. The brooding mental lower world of the orlop deck is where he spends too much of his time these days — listening to the ice scream, waiting for the metal bolts and beam fastenings to explode from the cold. The bottom hold deck below, with its terrible smells and its waiting Dead Room, is madness.
    Crozier shakes such thoughts away. He looks down the orlop-deck aisle running forward between the piled casks and crates. The lantern’s gleam is blocked by the bulkheads of the Bread Room and the aisles on either side constrict to tunnels even narrower than the officers’ country companionway on the lower deck above. Here men must squeeze between the Bread Room and the sleeves holding the last sacks of
Terror
’s coal. The carpenter’s storeroom is forward there on the starboard side, the boatswain’s storeroom opposite on the port side.
    Crozier turns and shines his lantern aft. Rats flee somewhat lethargically from the light, disappearing between casks of salt meat and crates of tinned provisions.
    Even in the dim lantern’s glow, the captain can see that the padlock is secure on the Spirit Room. Every day one of Crozier’s officers will come down here to fetch the amount of rum needed for that day’s doling out of the men’s noonday grog — one-fourth pint of 140-proof rum to three-fourths pint of water. Also in the Spirit Room are stored the officers’ wine and brandy, as well as two hundred muskets, cutlasses, and swords. As has always been the practice in the Royal Navy, scuttles lead directly from the officers’ mess and Great Cabin overhead to the Spirit Room. Should there be a mutiny, the officers would get to the weapons first.
    Behind the Spirit Room is the Gunner’s Storeroom with its kegs of powder and shot. On either side of the Spirit Room are various storage and locker spaces, including chain cable lockers; the Sail Room, with all its cold canvas; and the Slop Room, from

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