The Twelve Kingdoms: Shadow of the Moon by Fuyumi Ono Read Free Book Online Page B

well."
    Her eyes still tightly shut, Youko could not tell who had spoken.

Chapter 11
    Y ouko was marched down a narrow path that wound through the paddies. After a fifteen-minute walk they arrived at a small town surrounded by a high fence. It was the hamlet she had spied earlier, little more than a rough handful of houses. Here, though, set into one wall of the squarish fence was a sturdy-looking gate.
    The gate opened inwards, revealing another interior wall decorated with many pictures drawn in red colors. In front of the wall, for no discernable reason, someone had left behind a wooden chair. Youko was pushed along past the wall and towards the center of the village. When she came around the red wall, an unbroken view of the main street opened up to her.
    The scene again roused in her both feelings of familiarity and strangeness. The feelings of familiarity came from its overall resemblance to oriental architecture--the white, plastered walls, black tiled roofs, the distinctive latticework of the arbors. But despite this, she felt no affinity for the place, undoubtedly because of the utter lack of a human presence.
    A number of smaller paths branched out to the right and left of the wide street facing from the gate. She didn't see a single person. The houses were no higher than a single story, but were all hidden from the street behind a white fence that reached as high as the eaves. Gaps appeared in the fence at regular intervals, revealing glimpses of houses set back behind small gardens.
    The houses were uniform in size, and looked very much the same, despite small differences in their outward appearance. They could have been rolled off an assembly line.
    Here and there a window was open, the wooden shutters propped open with bamboo poles. Yet from the street Youko could sense no human presence. Not a single dog. Not a sound.
    The main thoroughfare was no more than a hundred yards in length, ending at a plaza. Commanding the plaza was a building tiled with brilliant white stones. Yet the dazzling decoration seemed little more than a facade. The narrow streets intersecting with the plaza ran no more than thirty yards or so before meeting the surrounding wall of the town and bending out of sight.
    On the streets there was no sign of human activity.
    Youko glanced about the plaza. Beyond the uniform black-tiled roofs she could see only the high wall of the town. Turning around she could begin to make something of its shape. It was something of a long, narrow and deep box. The confines of the town were suffocatingly narrow, no more than half as wide as her own school. It was like being inside a big well, Youko thought. The town itself was like the rubble buried beneath the water at the bottom of the well.

    They brought her to the center of the buildings facing the plaza. The building reminded her of Chinatown, in Yokohama. Yet the red-painted pillars the sparkling walls struck her as no less superficial than the rest of the town.
    They entered a long, narrow hallway in the center of the building. It was dark and also devoid of people. After pausing to discuss some matter, the men prodded her forward again, and then shoved her into a small room and shut the door.
    Her immediate impression of the room was that it was a jail cell.
    The floor seemed to be covered with the same tiles as the roofs, though many of the tiles were cracked and broken. The earthen walls were cracked as well and stained with soot. A single window high up on the wall, blocked with bars. A single door, its peephole latticed with bars. Looking through the peephole she could see men standing just outside the door.
    The room's furniture consisted of a wooden chair, a small table, and a larger platform the size of a single mattress. A thick cloth was attached to the top of the platform. It was obviously intended to be a bed.
    She wanted to ask where this place was, what kind of place this was, what was going to happen to her next, and a thousand other