surprises us: driven by the wind from the White Sea, the boat has just reached the shore. We had not noticed time passing.”
On occasion I would say to myself, firmly believing it: “She’s a woman who lives by these rare moments of beauty. What more could she offer the one she loves?” In a confused intuition, I then grasped that, for Vera, experiencing them was a way of communicating with the man she was waiting for.
5
T HAT NIGHT I HAD JUST BEEN RECORDING the episode with the boat in my notebook.
All at once a dull sound detached itself from the limpid stillness of midnight, the slamming of a door a long way off. I went out and just had time to see briefly illuminated the entrance to the little bathhouse
izba
, on the slope that led to the lake. The door closed, but the darkness was not total. Under a milky blue, the hazy moon was keeping a wary, phosphorescent watch over the houses and trees. It was strangely mild; not a breath of wind blew down the village street. The dust on the road was silvery and soft underfoot.
I started to walk, not knowing where I was going. At first it was probably a simple urge to melt into this cloudy, somewhat theatrical luminescence, one that made every enchantment, every evil spell possible. But very soon, with a sleepwalkers persistence, I found myself close to the bathhouse.
The tiny window, two hands wide, was tinged with a lemon-colored halo, certainly a candle. The smell of burned bark hung on the air, mingling with the pungent chill of the rushes and the wet clay of the lakeshore. A mild night, a respite before the onslaught of winter. A feeling that my presence here was utterly uncalled-for and quite essential for something unknowable. The ideas that came to mind were crude, incongruous: to draw close to the little window, spy on this woman as she soaped her body, or quite simply, to throw open the door, step up to her, embrace her slippery, elusive body, push her down onto the wet floorboards, possess her….
The recollection of what this woman was interrupted my delirium. I recalled the day when the wind had carried the boat away, the fragments of ice through which we had peered at the skyVera’s face, made iridescent by the cracks in the rime, her faint smile, her gaze returning mine through the ice jewels as they melted between her fingers. This woman was situated beyond all desire. The woman waiting for the man she loved.
At that moment, the door opened. The woman who emerged was naked: she stepped out of the steam room, stood on the little wooden front steps, and inhaled the cool of the lake. The soft radiance of the moon made of her a statue of bluish glass, revealing even the molding of collarbones, the roundness of breasts, the curve of hips, on which drops of water glistened. She did not see me; a woodpile concealed me in its angular shadow. Besides, her eyes were half closed, as if all she perceived came through the sense of smell, from animal instinct. She breathed in greedily, baring her body to the moon, offering it to the night, to the dark expanse of the lake.
In the face of this dazzling, naked, physical presence, all I had thought about this woman hitherto, all I had written about her life, seemed trifling. A body capable of giving itself, of taking pleasure, directly, naturally. Nothing stood in the way of this, apart from that ancient, almost mythical vow: the wait for the vanished soldier. A ghost from the past versus a woman ready to love and be loved. Not even to love, no, just to yield to carnal abandon. In the silence of the night I heard her breathing, I sensed the quivering of her nostrils—a she-wolf or a hind, sniffing the scents rising from the waters edge…. She turned her back, and in the moment before she disappeared inside the door, the moonlight picked out the firm, muscular play of her buttocks.
Next morning, on a confused impulse of desire, I once more followed the path to the bathhouse. I looked back often, afraid of revealing my
Marguerite Henry, Bonnie Shields