them looked wary. The girl stepped away from the target on the easel, produced some ball bearings from her breast pocket, and shot three quick bull's-eyes - plop, plop, plop. Soon she was surrounded by boys (and a few girls) clamoring for a turn. She lined them up, organizing them as quickly and efficiently as a nursery-school teacher prepares pupils for the 10:15 bathroom break. Two teenage Gypsy boys of approximately Linda's age popped out of an old LTD station wagon and began to scruff the spent ammunition out of the grass. They were alike as two peas m a pod, obviously identical twins. One wore a gold hoop in his left ear; his brother wore the mate in his right. Is that how their mother tells them apart? Billy thought. No one was selling anything. Quite carefully, quite obviously, no one was selling anything. There was no Madame Azonka telling the tarot.
Nevertheless, a Fairview police car arrived soon enough, and two cops stepped out. One was Hopley, the chief of police, a roughly handsome man of about forty. Some of the action stopped, and more mothers took the opportunity the lull afforded to recapture their fascinated children and bear them away. Some of the older ones protested, and Halleck observed that some of the younger ones were in tears.
Hopley began discussing the facts of life with the Gypsy who had been doing the juggling act (his Indian clubs, painted in jaunty red and blue stripes, were now scattered around his feet) and the older Gypsy in the Oshkosh biballs. Oshkosh said something. Hopley shook his head. Then the juggler said something and began to gesticulate. As the juggler spoke, he moved closer to the patrolman who had accompanied Hopley. Now the tableau began to remind Halleck of something, and after a moment it came. It was like watching baseball players argue with the umps over a close call in a game. Oshkosh put a hand on Juggler's arm, pulling him back a step or two, and that enhanced the impression - the manager trying to keep the young hothead from getting the boot. The young man said something more. Hopley shook his head again. The young man began to shout, but the wind was wrong and Billy got only sounds, no words.
'What's happening, Mom?' Linda asked, frankly fascinated.
'Nothing, dear,' Heidi said. Suddenly she was busy wrapping things. 'Are you done eating?'
'Yes, please. Daddy, what's going on?'
For a moment it was on the tip of his tongue to say, You're watching a classic scene, Linda. It's right up there with the Rape of the Sabine Women. This one is called the Rousting of the Undesirables. But Heidi's eyes were on his face, her mouth was tight, and she obviously felt this was not a time for misplaced levity. 'Not much,' he said. 'A little difference of opinion.'
In truth, not much was the truth - no dogs were unleashed, there were no Swinging billy clubs, no Black Maria pulled up to the edge of the common. In an almost theatrical act of defiance, Juggler shook off Oshkosh's grip, picked up his Indian clubs, and began to juggle them again. Anger had screwed up his reflexes, however, and now it was a poor show. Two of them fell to the ground almost at once. One struck his foot and some kid laughed. Hopley's partner moved forward impatiently. Hopley, not put out of countenance at all, restrained him much as Oshkosh had restrained Juggler. Hopley leaned back against an elm tree with his thumbs hooked into his wide belt, looking at nothing in particular. He said something to the other cop, and the patrolman produced a notebook from his hip pocket. He wet the ball of his thumb, opened the book, and strolled to the nearest car, a converted Cadillac hearse of early-sixties vintage. He began writing it up. He did this with great ostentation. When he had finished, he moved on to the VW microbus. Oshkosh approached Hopley and began to speak urgently. Hopley shrugged and looked away. The patrolman moved on to an old Ford sedan. Oshkosh left Hopley and went to the young man. He spoke