come forward to kiss their father . BELISARIO has put down his pen. He rests for a moment, his head on his arm. )
BELISARIO: ( Yawning ) The world won’t come to an end because you can’t finish a story, Belisario. Go on, have a little nap.
GRANDFATHER: You got all worked up about nothing. I’m perfectly all right. That … that brigand didn’t do me any harm. But at least it’s got them to pay us a visit. They haven’t been here for weeks.
CESAR: But we were here all yesterday afternoon, Father.
JOAQUIN: And then, when she’s surrendered herself totally to me, and her body’s all wet with my kisses, I’ll make her take all my clothes off too. Just as you do. I’ll teach her obedience. I’ll train her like my horse: so that she’ll only allow me to handle her. And while she’s undressing me, I’ll be thinking about you. About all those things only you know how to do to me. I’ll feel my blood getting hotter. I’ll put off making love to her till the very last moment, then when I do, I’ll be thinking all the time I’m with you, Carlota.
( He caresses MAMAE ’s breasts. )
MAMAE: No. No. Go away, get out of here. I won’t let you, not even in my wildest dreams, not even when I’m your wife. Aunt Amelia! Uncle Menelao! Carmencita! Ahhh! Ahhh!
(JOAQUIN disappears, smiling . AMELIA, AGUSTIN, CESAR, and the GRANDPARENTS turn to look at MAMAE when they hear her shouting. )
GRANDMOTHER: What’s the matter, Mamaé? Why do you shout the whole time like a maniac?
MAMAE: ( Suffocating, embarrassed ) I dreamt my fiancé was trying to touch my breasts, Carmencita. These Chileans are so forward! They even take liberties with you in your sleep! These Chileans, really!
( She crosses herself, horrified. BELISARIO has fallen asleep over his papers. His pencil slips out of his hand and falls on to the floor. He starts to snore. )
ACT TWO
As the curtain rises, the GRANDPARENTS are listening to the Sunday Mass on the old wireless set they keep in the small drawing room of their house. The voice of the priest drones on monotonously and GRANDMOTHER and MAMAE genuflect and cross themselves at the appropriate moments . GRANDFATHER listens reluctantly. At intervals we hear the tram passing . AMELIA is laying the table for supper. She moves in and out of the room without paying any attention to the Mass on the wireless. BELISARIO, who has fallen asleep at his desk, slowly wakes up. He yawns, rubs his eyes and reads over something he has written. Suddenly something occurs to him which makes him jump up in great excitement and take hold of the little chair in which he has been sitting. He leans against it like a little old man who can’t walk and starts to make his way slowly across the stage, dragging himself along with little hops and skips ( exactly as we will see MAMAE doing later ).
BELISARIO: That time Grandfather was robbed, could she still walk then? Could you, Mamaé? Yes, this was how it was, with your little wooden chair, like a child playing gee-gees. From your bedroom to the bathroom, from the bathroom to the armchair, from the armchair to the dining room, and from the dining room back to your bedroom again: the geography of your world. ( Reflects; repeats the expression, savouring it .) The geography of your world, Mamaé. I like it, Belisario!
( He runs to his desk and writes something down. Then he starts to chew his pencil, lost in the world of his memories .) Of course you were still walking. You only stopped when Grandfather died. ‘She hasn’t yet realized,’ Mama would say. ‘She doesn’t understand,’ Uncle César and Uncle Agustín would say. ( Looks at MAMAE.) Did you really not realize that in that house that was already so full of ghosts, there was now one more to add to its number? Of course you did, Mamaé! ( Jots down a few notes on the paper in front of him. ) You loved Grandfather very much, didn’t you, Mamaé? Just how much did you love him? And in
what way? What about that
Brittney Cohen-Schlesinger