Tolstoy

Tolstoy by Rosamund Bartlett Read Free Book Online Page A

Book: Tolstoy by Rosamund Bartlett Read Free Book Online
Authors: Rosamund Bartlett
200.
    37. Opul'skaya 2, 139.
    38. Komarova, Druz'ya i gosti, 173.
    39.  Letopis' 2, 173.
    40.  Letopis' 2, 177.
    41. T. Polyakova, 'Velosiped No. 97011', Prometei, 12 (1980), 415–418.
    42. Opul'skaya 2, 189.
    43. N. Nikitina, Sof'ya Tolstaya, Moscow, 2010, 201.
    44. See Ul'rikh Lina, Opasnyi yazyk, Moscow, 1998.
    45. L. L. Sabaneev, 'Moi vospominaniya o S. I. Taneeve', Sergei Ivanovich Taneev: lichnost', tvorchestvo i dokumenty ego zhizni: k 10-ti letiyu so dnya ego smerti, 1915—1925, Moscow, 1925, 101.
    46. L. L. Sabaneev, S. I. Taneev: Mysli o tvorchestve i vospominaniya o zhizni, Paris, 1930, 121–122.
    47. See Tolstoy's diary entry, November 1851 (JE 46, 237): 'I have never been in love with a woman - I felt one strong feeling similar to love when I was 13 or 14; but I don't want to believe that this was love; because the object was a fat maid (although she did have a pretty little face), and from 13–15 years is the most disorganised time for a boy (adolescence); you don't know what to throw yourself at, and lust, at that time acts with extraordinary force. I have often fallen in love with men ... I fell in love with men before I had any idea about the possibility of pederasty, but when I did, the idea of the possibility of coitus never entered my head...'
    48. See Alexander Fodor, A Quest for a Non-Violent Russia: the Partnership of Leo Tolstoy and Vladimir Chertkov, Lanham, Md, 1989, 146–147.
    49. Opul'skaya 2, 92.
    50. JE 67, 62.
    51. M. J. de K. Holman, 'The Purleigh Colony: Tolstoyan Togetherness in the Late 1890s', in Tolstoi and Britain, ed. W. Gareth Jones, Oxford, 1995, 155.
    52. A. G. Rose, 'Some Influences on English Penal Reform, 1895–1921', in Tolstoi and Britain, 262.
    53. See Peter Brock, tr. and ed., Life in an Austro-Hungarian Military Prison: the Slovak Tolstoyan Dr. Albert Škarvan's Story, Syracuse, 2002.
    54.  www.kirjasto.sci.fi/arvidj.htm
    55. JE 68, 23.
    56. Muratov, L. N. Tolstoi i V. G. Chertkov, 232.
    57. Opul'skaya 2, 155–156.
    58. Georgy Orekhanov, V. G. Chertkov v zhizni L. N. Tolstogo, Moscow, 2009, 43.
    59. Opul'skaya 2, 199–200.
    60. Apostolov, Tolstoi i russkoe samoderzhavie, Moscow, 1928, 125–126.
    61. Orekhanov, V. G. Chertkov v zhizni L. N. Tolstogo, 31.
    62. Opul'skaya 2, 234; Fodor, A Quest for a Non-Violent Russia, 88–89.
    63. See Fodor, A Quest for a Non-Violent Russia, 67–68.
    64. T. L. Sukhotina-Tolstaya, Dnevnik, ed. T. Volkova, Moscow, 1984, 163.
    65. Sukhotina-Tolstaya, Dnevnik, 132.
    66. Fodor, A Quest for a Non-Violent Russia, 67.
    67. Sukhotina-Tolstaya, Dnevnik, 300.
    68. Muratov, L. N. Tolstoi i V. G. Chertkov, 248.
    69. S. M. Tolstoi, Deti Tolstogo, Tula, 1993, 77.
    70. Tolstoi, Deti Tolstogo, 175.
    71. N. A. Kalinina et al., Perepiska L. N. Tolstogo's sestroi i brat'yami, Moscow, 1990, 419, 431.
    72. Opul'skaya 2, 252.
    73. Tolstoy, What is Art?, tr. A. Maude, ed. W. Gareth Jones, Bristol, 1994, 184.
    74. Opul'skaya 2, 158.
    75. See Gary Adelman, Anna Karenina: The Bitterness of Ecstasy, Boston, 1990, 124–125.
    76. A. B. Gol'denveizer, 'Tolstoi i muzyka: iz vospominanii', Literaturnoe nasledstvo, 37/38, (I939) vo1. 2 591-594.
    77. Gol'denveizer, 'Tolstoi i muzyka: iz vospominanii', 591–594.
    78. S. L. Tolstoi, 'Muzykal'nye proizvedeniya, lyubimye L. N. Tolstym (po vospominaniyam'S. L. Tolstogo)', Tolstovskii ezhegodnik, St Petersburg, 1913, 161–162.
    79. Alexandra Orlova, Tchaikovsky: A Self Portrait, tr. R. M. Davison, Oxford, 1990, 62.
    80. Orlova, Tchaikovsky: A Self Portrait, 253.
    81. S. A. Tolstaya, 'Moya zhizn", Prometei, 12 (1980), 191.
    82. See R. Bartlett, Wagner and Russia, Cambridge, 1995, 48.
    83. 'The Theology of Redemptive Love' is the sub-title of a chapter in Richard F. Gustafson's Leo Tolstoy: Resident and Stranger, which should be consulted for an in-depth discussion of this topic. For a brief overview of the importance of redemption in Wagner's works, see Robert Donington, 'The

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