certain rooms.’
Violetta flushed, and for a moment Swan feared her revolt. But then she dipped her own straight-backed courtesy. ‘Yes, madame,’ she said meekly.
When the owner disappeared into the crowd of papal courtiers, Violetta leaned against him. ‘She’s not so bad, but she’s the very princess of liars. If she’d married Sforza, her daughter would have had to be named Hypocritica .’
Di Brachio threw his head back and his laugh rang like a bell. ‘Demoiselle, you have more wit than many a fine lady I have known.’
Swan had no idea what they were on about.
‘The Duke of Milan’s daughter is Hypolita , like the Queen of the Amazons,’ Violetta said. ‘It all but ruins my little wit to have to explain myself.’
‘Leave the Englishman and marry me, demoiselle,’ said Di Brachio.
Violetta smiled and was very beautiful indeed. ‘What a wonderful compliment, messire! But surely you desire a very chaste and religious wife.’
‘I do?’ Di Brachio asked. ‘It seems unlikely.’
‘I fear that otherwise she might be very bored indeed,’ Violetta said. Her smile should have taken any sting out. And made the Venetian laugh again. But he did not, and he leaned towards her, hissing slightly as he did when angry.
‘Listen, my filly,’ he said, ‘I might surprise you.’
She lowered her lashes. ‘Messire, I can well imagine that you are a man full of surprises, and if I had a younger brother—’
Di Brescia stepped between them out of the air. ‘She means no harm ,’ he said, gripping Di Brachio’s sword arm. Violetta was as white as the parchment of a fancy sword scabbard. Swan, who’d drunk too much wine, went from a vague jealousy that his best friend was flirting with his chosen girl to fear that she was about to be cut to ribbons before his eyes.
‘Oh, messire,’ Violetta said, hand to chest. ‘It is just wit. Poor wit.’
Di Brachio turned. ‘I disgust myself,’ he said. He bowed. ‘The demoiselle did nothing untoward. I am unfit for company.’ He turned and stomped off.
Swan looked at Violetta, and at Di Brachio’s back. Sobriety returned in a host of memories, and he pressed against her, just for a moment – to remember the feel of her body if he didn’t manage to return. ‘He’s my best friend,’ he said sourly, and walked away after the retreating back of the Venetian.
Di Brachio walked straight out the open door of the great hall and into the night, leaving his cloak and hat. He was well ahead of Swan, and Swan almost lost the young man in the first three turnings of the streets outside Madame Lucrescia’s house, but great houses had cressets burning outside, and Di Brachio’s bare head gleamed in the light as he wandered out into the Via dei Coronari.
Swan ran across a broad square littered with fallen remnants of ancient buildings and caught the Venetian as he climbed the steps of Ponte San Angelo. All the houses had been pulled down at the time of the papal jubilee, and there was a dangerous wilderness of rubble and unfinished work. It was not a place where any sane man walked alone.
Even as Swan approached from behind, shadows detached themselves from the muddy darkness under the bridge and ran, light footed, up the steps between him and his friend.
There were two lamps burning at the top of the steps by the statue of St Peter. Swan saw Di Brachio silhouetted against the left-hand lamp, and saw him turn as the men behind rushed him, and then Swan’s own head was down as he sprinted up the steps himself, sword and dagger in hand.
There was no pause, no demand for money – the men rushed the Venetian, and he stood his ground at the top of the steps and killed one, threw his body at the others, and then put his back against the lamp-post. The other five began to close in.
Then the rearmost man heard Swan’s feet and turned.
Di Brachio attacked, a great slashing blow from a high guard against the bridgeward men, and a sudden flickering lunge like the
Shauna Rice-Schober[thriller]