Museum would be pleased with whatever artifacts he would provide them for their planned exhibit of Xanadu. The chaos and danger created by the Japanese invasion was actually a benefit. Not only did it add to the allure of the artifacts that he transported west, it actually made the process easier. Local authorities had already fled the nearby villages, and the government antiquities officials had not been seen in weeks. He would have an easy time removing the artifacts from the country. That is, assuming he could extricate himself as well.
âI guess Iâve kept you from your family long enough, Tsendyn. I doubt the Russians will allow the Japanese to pussyfoot around in Mongolia, so you should be safe from this craziness.â
âMy wife shall welcome my return.â The Mongol smiled through a yellowing set of sharply pointed teeth.
The faint drone of a nearby aircraft halted their conversation. To the south of them, a small gray speck grew larger in the sky before banking to the east.
âJapanese reconnaissance aircraft,â Hunt mused. âNot a good sign for the Nationalist chaps if the Japanese own the skies.â The archaeologist pulled out a pack of Red Lion cigarettes and lit one of the unfiltered smokes as Tsendyn peered at the fading aircraft with a nervous look.
âThe sooner we are away, the better, I think,â he said.
Behind them, a sudden commotion erupted from one of the excavation trenches. One of the Chinese laborerâs heads popped up over the edge, his grimy jaws jabbering at a rapid clip.
âWhat is it?â Hunt said, setting down his tea.
âHe says heâs found some lacquered wood,â Tsendyn replied, stepping toward the trench.
Both men walked to the edge and peered down. The chattering laborer excitedly pointed his trowel toward the ground as the other laborers crowded around. Barely exposed through the dirt at his feet was a flat square yellow object the size of a serving platter.
âTsendyn, you handle the excavation,â Hunt barked, waving away the other laborers. As the Mongolian jumped into the trench and carefully began scraping the dirt away with a trowel and brush, Hunt retrieved a notebook and pencil. Thumbing to a hand-drafted sketch of the localized area and trench, he neatly outlined the object in its discovered location. Flipping to a blank sheet, he then began sketching the artifact while Tsendyn gently dug around it.
As the dirt and dust fell away, Hunt could see that the object was in fact a yellow lacquered wooden box. Every square inch was painted with delicate images of animals and trees in elaborate detail, trimmed with inlaid mother-of-pearl. Hunt noted with curiosity that an elephant was depicted on the lid. Carefully scraping the dirt away to its base, Tsendyn gently lifted the box out of the sediment and placed it on a flat stone outside the trench.
The Chinese laborers all stopped their digging and crowded around the ornate box. Most of their discoveries to date consisted of little more than broken shards of porcelain and the occasional jade carving. This was easily the most impressive item uncovered in their three years of digging.
Hunt studied the box deliberately before taking it in his hands and lifting it. Something heavy was inside, which shifted as he moved the box. With his thumbs, he could feel a seam midway around the shallow sides and gently tried to separate the lid. The box, sealed for nearly eight hundred years, protested at first and then slowly opened. Hunt set the box down and gingerly worked his fingers around the entire edge, then pulled on the lid until it creaked off. Tsendyn and the laborers all leaned in as if in a football huddle, peering to see what was inside.
Two objects were nestled in the box and Hunt removed them for all to see. A spotted animal skin, colored black and yellow in the camouflage pattern of a leopard or cheetah, was rolled up like a scroll, the ends tied together with