Twelve Days of Winter by Stuart MacBride Read Free Book Online

magic.
    Mrs McNulty was, and still is, a big woman: eighteen stone of flesh, bone and fat. All those years she and Mr McNulty have lived in the small flat above the funeral home – ‘U NWIN AND M C N ULTY , U NDERTAKERS EST . 1965’ – and this is the first time Mr Unwin has ever seen her naked.
    He pats her pale belly. The skin is cold and greasy, like chicken taken from the refrigerator. But Mrs McNulty is no spring chicken. Then again, Mr McNulty isn’t much of a catch either: short, chubby, bald and dour. But a good man for all that. . .
     
    There is a
particular
smell that comes with embalming people. A mixture of raw meat and disinfectant, with a faint underlying taint of decay. It’s an acquired taste, but Mr Unwin has had years to get used to it. Now it smells like home. Like a job well done. A chance to use his talents. To do what he was born to do. To make the dearly departed look peaceful.
    And then, when Mrs McNulty’s body fluids have been swapped out for preservative, and all her personal orifices bunged up with gauze pads to make sure she doesn’t leak in her casket, he pulls over his special toolkit and stares at her face. Studying the lines and wrinkles, the thread-veins in her cheeks, the mole on her chin with one long hair poking out, the freckles on her forehead. Then sets to work on her face.
    It’s a delicate job, one Mr Unwin has been doing since he was a small boy in his father’s funeral home. He has the gift: layers and layers of flesh-pink, blended beautifully to a soft sheen on her sallow skin; a subtle red lipstick painted on glued-together lips; eye shadow and blusher; her grey hair carefully styled. When he’s finished she looks better than she has for years.
    Death suits Mrs McNulty. She should have died years ago.
    Mr McNulty has provided his wife’s favourite ensemble for her final journey – a blue, knee-length dress, a pair of thick brown tights, black pumps, and a large leather handbag. It takes a while to dress the deceased, but Mr Unwin has had plenty of practice putting clothes on dead bodies. At last she’s ready for her final journey.
    It isn’t easy, hefting his partner’s wife into her coffin – walnut and maple with a pale-blue silk lining and genuine brass handles – but he manages. There’s a reason people call it ‘dead weight’. And Mrs McNulty has lots of it.
    She looks so peaceful lying there, and Mr Unwin takes a moment to give thanks for her life, before wheeling her into the chapel of rest, where she’ll spend the night with Mrs Riley’s mother. A pair of old ladies, comfortable together in eternal sleep.
    Now only one thing remains to be done.
    Mr Unwin takes Mrs McNulty’s hands and arranges them across her chest, right over left, gluing them together to make sure they stay in place. Sometimes the dearly departed move in transit, or the change in temperature from the funeral home, to the hearse, to a cold and draughty church makes their tendons contract. It can be
very
distressing for the family, and contact adhesive covers up a multitude of sins.
    Back in the front office Mr Unwin settles behind his desk and looks out over the darkened rooftops of Old-castle. Eight days to Christmas and there’s not a single decoration or card up in the funeral home. This is not a place for celebration; it is a place for quiet respect and mourning.
    There’s a bottle of Highland Park in his desk and he pours himself a modest dram, adding a splash of cold water to loosen the whisky’s aroma. He raises his glass to the sleeping city. ‘To Mrs McNulty, may you have all the peace in death you denied your husband in life.’ Which was why Mr McNulty had pushed her down the stairs, fracturing her skull and breaking her neck.
    With a faint smile, Mr Unwin unlocks the drawer in his desk and pulls out a long wooden box. It opens with a small golden key – click – and its contents sparkle in the dim light. Wedding rings, large and small, new and old, all cut or