villa anyway.’
‘Could be.’ I gave a deep sigh. I was worn out by this Pyrrhic victory, because I was angry with the ex-king – very angry, in fact – for having loomed up out of the past to spoil my night out. Then it occurred to me that no evening is ever entirely safe, and you can never know in advance from which forgotten depths the attack will come. But then I thought that it was perhaps no coincidence that the ex-king’s ghost had cropped up when I’d been depressed, and in this place, on deserted dunes where the dead and the living team up in pairs to ride on the horses of legend.
‘What’s your name?’ she asked, after a protracted silence.
I told her, and she leaned forward to trace my initials with her finger on the smooth wet sand.
I don’t know why but my mind turned to the initials of the fat woman, and then to the length of the evening that had now become a whole night, just as a girl turns into a woman. In a minute we would stand up and leave to walk in the darkness alongside the rail tracks so we wouldn’t get lost. Then I imagined I would walk her back to her villa, that I would kiss her and that she would slip away without even saying goodnight, and that I wouldn’t take offence since I knew that was what local girls usually did after the first kiss. Tomorrow she’d come back to where we would be playing ping-pong and still be arguing over the score, and then we would go for a walk at sunset, along the waterline, exactly when the shutter-fiends would be focusing their cameras to catch it. We would slowly turn into black-and-white silhouettes and the shallow water would bounce our image back, like a catapult, to annoy people looking in frozen solitude at the far horizon. Then, like most of the silhouettes that sauntered along the shore in the evening, we would enter a dark space inside unknown cameras, and, later, when the films came to be developed, we would re-emerge from the Nordic dusk in the snapshots of strangers, not one of whom would know who we were or what we’d been doing there.
‘It’s very late,’ she said. ‘We ought to get back.’
Yes, we really should. We stood up without a word and moved off in the direction we had come from, passing in front of silent front doors with metal knockers shaped like human hands. For some reason I always imagined that crimes must be committed behind doors with that kind of knocker or behind the railings that enclosed silent gardens. At this time of night there were no trains. She said we would have to go as far as the main road to find a taxi or a passing car. We got to the highway, but there was not much traffic and, as usually happens in such circumstances, none of the vehicles that stopped was going in our direction. At long last an aged couple on their way home from a silver-wedding celebration gave us a lift to one of the stations – I had read its name on bottles of nail-varnish and shampoo. From there, we walked.
We got back to Dubulti before daybreak. Our conversation had become intermittent perhaps because our minds were also losing clarity, as if our thoughts had been transported into the ionosphere. I escorted my companion to her door, and what I had expected came to pass. As I moved off I turned back once more and saw a hazy glow coming from one of the villa’s windows, giving it a platinum sheen. I recalled the desire to scream that my comrade had spoken of last winter in Yalta, and it occurred to me that the similarity of the sounds in platinum and planet was not entirely coincidental. I’d had direct confirmation of that when my companion had started running, just as Lida had run away in Neglinnaya Street, with the same strange and almost astral aura over her head.
I’ll tell you my ballad, too, as soon as I’m back in Moscow, I thought, as I crossed the formal gardens on my way back to the guesthouse. I felt as if the shape and weight of my limbs had altered, as if I was walking on the moon. As I went past the