the yellow windows of burger joints and drugstores about to close, leaving their few customers nowhere to go. Inconceivably, he was one of that rootless tribe now, doomed to wander the boulevards, and again he marveled at his own fall, and at his capacity for appreciating it.
After dark, the Garden of Allah was the oasis it claimed to be, alive with racketing jazz and flickering with torchlight. A console radio blared from a balcony, and the patio had become a manic dance floor, the chaises tossed in a pile. Bogart and Mayo were in the shallow end of the Black Sea, sitting on carved armchairs that obviously belonged to someoneâs villa.
Bogart saluted Scott. âJump in, old sport.â
âWeâre playing boozical chairs,â Mayo said.
He was tempted, but just returned the salute and went to find Dottie.
Instead, Sid Perelman, who he knew from Westport, found him. Sid was at Metro too, writing gags for the Marx Brothers.
âIâm telling you, itâs a nightmare. The funny one doesnât talk and the others wonât shut up.â
âWhat about Zeppo?â
âHeâs the funny one.â
Don Stewart, from St. Paul, called his name as he wobbled past on a bicycle with a blonde in a sarong and a sombrero on the handlebars. Behind him came Benchley with a sloshing punchbowl loaded with sangria and quartered oranges, a ladle jutting obscenely from his pocket.
âHow was the picture?â Sid asked.
âIn focus, sadly,â Benchley said, not stopping.
âHave you seen it?â Scott asked Sid.
âIâve had the pleasure not to. Do the Spanish win?â
âI donât think there is a winner.â
âNot my kind of picture. I like a winner. Thatâs why Iâm so depressed when I go to the track.â
âLeave âem laughing,â Scott said.
âAnd if you canât, just leave them. Thatâs very important. You donât want them following you home.â
Dottie caught Sid by the elbow. âYour wife is looking for you.â
âWhatâs the good news?â
âSheâs either very drunk or very pregnant.â
âEither way,â he said, âsave me some punch.â
âI see you found your way,â Dottie said.
âIâve been here before. Were you here when Tallulah Bankhead was here?â
âThat Tallulah Bankhead?â She pointed to the woman herself, preening by a tile fountain with a highball as a pack of ingenues paid court. âSheâs actually at the Chateau Marmont. The walls are thicker there. Sheâs like the clapâyou think youâve gotten rid of her but she keeps coming back.â
âLike me,â Scott said.
âI was trying to be polite.â The orchestra on the radio struck up a slow tango. She took his hand. âDance with me.â
As one of two boys at Miss Van Arnumâs School of Dance, heâd been taught to never refuse a lady. She was small, and light in his arms. Theyâd danced before, in New York, at all-night parties that topped the next morningâs gossip columns. Theyâd been young then, trouble. He remembered her upturned face, her chin tipped slightly away to reveal a fetching length of neck. Despite her solidarity with the peasants, she was wearing diamond studs, and, as if sheâd been hiding them, he was surprised to find she had tiny, perfect ears. He flung her out and reeled her back in. She spurned him, averting her face, making him circle her, strutting like a bullfighter. They moved well together, graduates of the same classes meant to raise their station. It had worked, partly. So many of his fondest moments had taken place on a crowded floor. Around them, the flames and other couples whirled, the palms and lit windows, Bogart and Mayo thrashing in the pool, trying to splash them. She pressed herself against his chest, lingered a beat, then retreated, only to return again in a swoon of clarinets, the
Jessica Buchanan, Erik Landemalm, Anthony Flacco