up.â
âI agree,â Scott said. âBut theyâre not going to buy it from the Reds.â
âWe will,â Benchley said. âNew York and Hollywood.â
âMight as well be the Reds to the rest of the country,â Scott said.
âI know,â Ernest said. âAnd no one wants to back the wrong horse.â
âIs it the wrong horse?â
âItâs the right horse,â Ernest said. âJust the wrong time.â
âI donât see how being anti-Fascist can be premature,â Benchley said.
âItâs tough,â Ernest said. âAll we can do is hope we lose well enough so people will be ready the next time.â
Scott looked to Benchley to see if heâd heard him correctly. Benchley sat with his arms crossed, biting his lip.
âItâll all be over by spring, no matter what we do. Then itâll be someone elseâs turn.â
âAustria,â Scott said.
âVery good,â Ernest said.
âThank you.â
âWhich is why I wanted to talk with you. I hear youâre going to be working on
Three Comrades
for Metro.â
Scott didnât know why, but how heâd heard so quickly frightened him. It wasnât out of the question that Ernest knew Eddie Knopf, or that Eddie had run it by some of the other producers. Maybe all of Hollywood knew, via rumor, and naturally he, the unwitting subject, heard it last.
âNothingâs settled yet.â
âIf you do,â Ernest said, âdo me a favor and remember Spain.â
âI will.â
âYou know the first movie Hitler banned?â
âAll Quiet on the Western Front,â
Scott said, making the connection plain.
âTheyâll do everything they can to stop this one, or gut it,â Ernest said. âThereâs an attaché from the German consulate named Reinecke who screens everything before it goes to the foreign distributors. Heâs basically their censor for Europe.â
âDonât the studios have final say?â Even as Scott said it, he realized how naive he sounded. Like any leaders who ruled through and solely for money, when threatened, the studio heads were geniuses at appeasement.
âThalberg had final cut on everything,â Benchley reminded him.
âYou know how to get things past an editor,â Ernest said. âThatâs your strength, making heavy things seem lightânot like me. I couldnât write a
Saturday Evening Post
story to save my life.â
Youâve never had to, Scott thought.
âJust be aware,â Ernest said, âthat certain people are going to be very interested in what youâre doing.â
âThatâs good to know,â he said, though, knowing how powerless he was, he felt heâd been given an impossible assignment.
They ate on a terrace noisy with birdsong, commanding a broad view of the sea. Dietrich served them cold trout and salad and went back into the house, from time to time peering out of the kitchen window like a servant. Scott had ice water rather than the Mosel.
âOn the wagonâgood for you,â Ernest said, toasting him. âIâll be joining you in a few months if itâs any comfort.â
âItâs not,â Scott said cheerily, toasting him back.
As they were saying good-bye at the bottom of the stairs, while Benchley was gushing at Dietrich about the lunch, Ernest discreetly asked after Zelda.
Scott shrugged. âNo better, no worse.â
âIâm sorry.â
âThank you.â He didnât ask after Hadley, or the new Mrs. Hemingway, just returned his embrace and said heâd see him tonight. Afraid of seeming familiar, he reached to take Dietrichâs hand. She drew him to her like an old friend. She smelled of lilacs, and the silk of her hair against his skin made him shiver. In the car he wanted to ask Benchley if that had happened to him, but didnât.
He was glad to